The Project Gutenberg EBook Pierre And His People, V2, by G. Parker
#3 in our series by Gilbert Parker
  Contents:
    A Prairie Vagabond
    She Of The Triple Chevron
    Three Outlaws

Copyright laws are changing all over the world. Be sure to check the
copyright laws for your country before downloading or redistributing
this or any other Project Gutenberg eBook.

This header should be the first thing seen when viewing this Project
Gutenberg file.  Please do not remove it.  Do not change or edit the
header without written permission.

Please read the "legal small print," and other information about the
eBook and Project Gutenberg at the bottom of this file.  Included is
important information about your specific rights and restrictions in
how the file may be used.  You can also find out about how to make a
donation to Project Gutenberg, and how to get involved.


**Welcome To The World of Free Plain Vanilla Electronic Texts**

**EBooks Readable By Both Humans and By Computers, Since 1971**

*****These EBooks Were Prepared By Thousands of Volunteers*****


Title: Pierre And His People, [Tales of the Far North], Volume 2.

Author: Gilbert Parker

Release Date: July, 2004  [EBook #6175]
[Yes, we are more than one year ahead of schedule]
[This file was first posted on August 27, 2002]

Edition: 10

Language: English

Character set encoding: ASCII





*** START OF THE PROJECT GUTENBERG EBOOK PIERRE AND HIS PEOPLE, V2, PARKER ***



This eBook was produced by David Widger <widger@cecomet.net>



[NOTE: There is a short list of bookmarks, or pointers, at the end of the
file for those who may wish to sample the author's ideas before making an
entire meal of them.  D.W.]





PIERRE AND HIS PEOPLE

TALES OF THE FAR NORTH

By Gilbert Parker

Volume 2.


A PRAIRIE VAGABOND
SHE OF THE TRIPLE CHEVRON
THREE OUTLAWS




A PRAIRIE VAGABOND

Little Hammer was not a success.  He was a disappointment to the
missionaries; the officials of the Hudson's Bay Company said he was
"no good;" the Mounted Police kept an eye on him; the Crees and Blackfeet
would have nothing to do with him; and the half-breeds were profane
regarding him.  But Little Hammer was oblivious to any depreciation
of his merits, and would not be suppressed.  He loved the Hudson's Bay
Company's Post at Yellow Quill with an unwavering love; he ranged the
half-breed hospitality of Red Deer River, regardless of it being thrown
at him as he in turn threw it at his dog; he saluted Sergeant Gellatly
with a familiar How! whenever he saw him; he borrowed tabac of the half-
breed women, and, strange to say, paid it back--with other tabac got by
daily petition, until his prayer was granted, at the H. B. C. Post.  He
knew neither shame nor defeat, but where women were concerned he kept his
word, and was singularly humble.  It was a woman that induced him to be
baptised.  The day after the ceremony he begged "the loan of a dollar for
the love of God" from the missionary; and being refused, straightway, and
for the only time it was known of him, delivered a rumbling torrent of
half-breed profanity, mixed with the unusual oaths of the barracks.  Then
he walked away with great humility.  There was no swagger about Little
Hammer.  He was simply unquenchable and continuous.  He sometimes got
drunk; but on such occasions he sat down, or lay down, in the most
convenient place, and, like Caesar beside Pompey's statue, wrapped his
mantle about his face and forgot the world.  He was a vagabond Indian,
abandoned yet self-contained, outcast yet gregarious.  No social
ostracism unnerved him, no threats of the H. B. C. officials moved him;
and when in the winter of 187_ he was driven from one place to another,
starving and homeless, and came at last emaciated and nearly dead to the
Post at Yellow Quill, he asked for food and shelter as if it were his
right, and not as a mendicant.

One night, shortly after his reception and restoration, he was sitting
in the store silently smoking the Company's tabac.  Sergeant Gellatly
entered.  Little Hammer rose, offered his hand, and muttered, "How!"

The Sergeant thrust his hand aside, and said sharply: "Whin I take y'r
hand, Little Hammer, it'll be to put a grip an y'r wrists that'll stay
there till y'are in quarters out of which y'll come nayther winter nor
summer.  Put that in y'r pipe and smoke it, y' scamp!"

Little Hammer had a bad time at the Post that night.  Lounging half-
breeds reviled him; the H. B. C. officials rebuked him; and travellers
who were coming and going shared in the derision, as foolish people do
where one is brow-beaten by many.  At last a trapper entered, whom
seeing, Little Hammer drew his blanket up about his head.  The trapper
sat down very near Little Hammer, and began to smoke.  He laid his plug-
tabac and his knife on the counter beside him.  Little Hammer reached
over and took the knife, putting it swiftly within his blanket.  The
trapper saw the act, and, turning sharply on the Indian, called him a
thief.  Little Hammer chuckled strangely and said nothing; but his eyes
peered sharply above the blanket.  A laugh went round the store.  In an
instant the trapper, with a loud oath, caught at the Indian's throat; but
as the blanket dropped back he gave a startled cry.  There was the flash
of a knife, and he fell back dead.  Little Hammer stood above him,
smiling, for a moment, and then, turning to Sergeant Gellatly, held
out his arms silently for the handcuffs.

The next day two men were lost on the prairies.  One was Sergeant
Gellatly; the other was Little Hammer.  The horses they rode travelled so
close that the leg of the Indian crowded the leg of the white man; and
the wilder the storm grew, the closer still they rode.  A 'poudre' day,
with its steely air and fatal frost, was an ill thing in the world; but
these entangling blasts, these wild curtains of snow, were desolating
even unto death.  The sun above was smothered; the earth beneath was
trackless; the compass stood for loss all round.

What could Sergeant Gellatly expect, riding with a murderer on his left
hand: a heathen that had sent a knife through the heart of one of the
lords of the North?  What should the gods do but frown, or the elements
be at, but howling on their path?  What should one hope for but that
vengeance should be taken out of the hands of mortals, and be delivered
to the angry spirits?

But if the gods were angry at the Indian, why should Sergeant Gellatly
only sway to and fro, and now laugh recklessly, and now fall sleepily
forward on the neck of his horse; while the Indian rode straight, and
neither wavered nor wandered in mind, but at last slipped from his horse
and walked beside the other?  It was at this moment that the soldier
heard, "Sergeant Gellatly, Sergeant Gellatly," called through the blast;
and he thought it came from the skies, or from some other world.  "Me
darlin'," he said, "have y' come to me?"  But the voice called again:
"Sergeant Gellatly, keep awake!  keep awake!  You sleep, you die; that's
it.  Holy.  Yes.  How!"  Then he knew that it was Little Hammer calling
in his ear, and shaking him; that the Indian was dragging him from his
horse .  .  .  his revolver, where was it?  he had forgotten .  .  .  he
nodded .  .  .  nodded.  But Little Hammer said: "Walk, hell! you walk,
yes;" and Little Hammer struck him again and again; but one arm of the
Indian was under his shoulder and around him, and the voice was anxious
and kind.  Slowly it came to him that Little Hammer was keeping him alive
against the will of the spirits--but why should they strike him instead
of the Indian?  Was there any sun in the world?  Had there ever been? or
fire or heat anywhere, or anything but wind and snow in all God's
universe?  .  .  .  Yes, there were bells ringing--soft bells of a
village church; and there was incense burning--most sweet it was! and the
coals in the censer--how beautiful, how comforting!  He laughed with joy
again, and he forgot how cold, how maliciously cold, he had been; he
forgot how dreadful that hour was before he became warm; when he was
pierced by myriad needles through the body, and there was an incredible
aching at his heart.

And yet something kept thundering on his body, and a harsh voice shrieked
at him, and there were many lights dancing over his shut eyes; and then
curtains of darkness were dropped, and centuries of oblivion came; and
then--then his eyes opened to a comforting silence, and some one was
putting brandy between his teeth, and after a time he heard a voice say:
"'Bien,' you see he was a murderer, but he save his captor.  'Voila,'
such a heathen!  But you will, all the same, bring him to justice--you
call it that?  But we shall see."

Then some one replied, and the words passed through an outer web of
darkness and an inner haze of dreams.  "The feet of Little Hammer were
like wood on the floor when you brought the two in, Pretty Pierre--and
lucky for them you found them.  .  .  .  The thing would read right in a
book, but it's not according to the run of things up here, not by a
damned sight!"

"Private Bradshaw," said the first voice again, "you do not know Little
Hammer, nor that story of him.  You wait for the trial.  I have something
to say.  You think Little Hammer care for the prison, the rope?--Ah, when
a man wait five years to kill--so! and it is done, he is glad sometimes
when it is all over.  Sergeant Gellatly there will wish he went to sleep
forever in the snow, if Little Hammer come to the rope.  Yes, I think."

And Sergeant Gellatly's brain was so numbed that he did not grasp the
meaning of the words, though he said them over and over again.  .  .  .
Was he dead?  No, for his body was beating, beating .  .  .  well, it
didn't matter .  .  .  nothing mattered .  .  .  he was sinking to
forgetfulness .  .  .  sinking.

So, for hours, for weeks--it might have been for years--and then he woke,
clear and knowing, to "the unnatural, intolerable day"--it was that to
him, with Little Hammer in prison.  It was March when his memory and
vigour vanished; it was May when he grasped the full remembrance of
himself, and of that fight for life on the prairie: of the hands that
smote him that he should not sleep; of Little Hammer the slayer, who had
driven death back discomfited, and brought his captor safe to where his
own captivity and punishment awaited him.

When Sergeant Gellatly appeared in court at the trial he refused to bear
witness against Little Hammer.  "D' ye think--does wan av y' think--that
I'll speak a word agin the man--haythen or no haythen--that pulled me out
of me tomb and put me betune the barrack quilts?  Here's the stripes aff
me arm, and to gaol I'll go; but for what wint before I clapt the iron on
his wrists, good or avil, divil a word will I say.  An' here's me left
hand, and there's me right fut, and an eye of me too, that I'd part with,
for the cause of him that's done a trick that your honour wouldn't do--
an' no shame to y' aither--an' y'd been where Little Hammer was with me."

His honour did not reply immediately, but he looked meditatively at
Little Hammer before he said quietly,--"Perhaps not, perhaps not."

And Little Hammer, thinking he was expected to speak, drew his blanket up
closely about him and grunted, "How!"

Pretty Pierre, the notorious half-breed, was then called.  He kissed the
Book, making the sign of the Cross swiftly as he did so, and unheeding
the ironical, if hesitating, laughter in the court.  Then he said:
"'Bien,' I will tell you the story-the whole truth.  I was in the Stony
Plains.  Little Hammer was 'good Injin' then.  .  .  .  Yes, sacre!  it
is a fool who smiles at that.  I have kissed the Book.  Dam!  .  .  .  He
would be chief soon when old Two Tails die.  He was proud, then, Little
Hammer.  He go not to the Post for drink; he sell not next year's furs
for this year's rations; he shoot straight."

Here Little Hammer stood up and said: "There is too much talk.  Let me
be.  It is all done.  The sun is set--I care not--I have killed him;"
and then he drew his blanket about his face and sat down.

But Pierre continued: "Yes, you killed him-quick, after five years--that
is so; but you will not speak to say why.  Then, I will speak.  The
Injins say Little Hammer will be great man; he will bring the tribes
together; and all the time Little Hammer was strong and silent and wise.
Then Brigley the trapper--well, he was a thief and coward.  He come to
Little Hammer and say, 'I am hungry and tired.'  Little Hammer give him
food and sleep.  He go away.  'Bien,' he come back and say,--'It is far
to go; I have no horse.'  So Little Hammer give him a horse too.  Then he
come back once again in the night when Little Hammer was away, and before
morning he go; but when Little Hammer return, there lay his bride--only
an Injin girl, but his bride-dead!  You see?  Eh?  No?  Well, the Captain
at the Post he says it was the same as Lucrece.--I say it was like hell.
It is not much to kill or to die--that is in the game; but that other,
'mon Dieu!'  Little Hammer, you see how he hide his head: not because he
kill the Tarquin, that Brigley, but because he is a poor 'vaurien' now,
and he once was happy and had a wife.  .  .  .  What would you do, judge
honourable?  .  .  .  Little Hammer, I shake your hand--so--How!"

But Little Hammer made no reply.

The judge sentenced Little Hammer to one month in gaol.  He might have
made it one thousand months--it would have been the same; for when, on
the last morning of that month, they opened the door to set him free, he
was gone.  That is, the Little Hammer whom the high gods knew was gone;
though an ill-nourished, self-strangled body was upright by the wall.
The vagabond had paid his penalty, but desired no more of earth.

Upon the door was scratched the one word: How!






SHE OF THE TRIPLE CHEVRON

Between Archangel's Rise and Pardon's Drive there was but one house.  It
was a tavern, and it was known as Galbraith's Place.  There was no man in
the Western Territories to whom it was not familiar.  There was no
traveller who crossed the lonely waste but was glad of it, and would go
twenty miles out of his way to rest a night on a corn-husk bed which Jen
Galbraith's hands had filled, to eat a meal that she had prepared, and to
hear Peter Galbraith's tales of early days on the plains, when buffalo
were like clouds on the horizon, when Indians were many and hostile, and
when men called the great western prairie a wedge of the American desert.

It was night on the prairie.  Jen Galbraith stood in the doorway of the
tavern sitting-room and watched a mighty beacon of flame rising before
her, a hundred yards away.  Every night this beacon made a circle of
light on the prairie, and Galbraith's Place was in the centre of the
circle.  Summer and winter it burned from dusk to daylight.  No hand fed
it but that of Nature.  It never failed; it was a cruse that was never
empty.  Upon Jen Galbraith it had a weird influence.  It grew to be to
her a kind of spiritual companion, though, perhaps, she would not so have
named it.  This flaming gas, bubbling up from the depths of the earth on
the lonely plains, was to her a mysterious presence grateful to her; the
receiver of her thoughts, the daily necessity in her life.  It filled her
too with a kind of awe; for, when it burned, she seemed not herself
alone, but another self of her whom she could not quite understand.  Yet
she was no mere dreamer.  Upon her practical strength of body and mind
had come that rugged poetical sense, which touches all who live the life
of mountain and prairie.  She showed it in her speech; it had a measured
cadence.  She expressed it in her body; it had a free and rhythmic
movement.  And not Jen alone, but many another dweller on the prairie,
looked upon it with a superstitious reverence akin to worship.  A
blizzard could not quench it.  A gale of wind only fed its strength.  A
rain-storm made a mist about it, in which it was enshrined like a god.
Peter Galbraith could not fully understand his daughter's fascination for
this Prairie Star, as the North-West people called it.  It was not
without its natural influence upon him; but he regarded it most as a
comfortable advertisement, and he lamented every day that this never-
failing gas well was not near a large population, and he still its owner.
He was one of that large family in the earth who would turn the best
things in their lives into merchandise.  As it was, it brought much grist
to his mill; for he was not averse to the exercise of the insinuating
pleasures of euchre and poker in his tavern; and the hospitality which
ranchmen, cowboys, and travellers sought at his hand was often prolonged,
and also remunerative to him.

Pretty Pierre, who had his patrol as gamester defined, made semi-annual
visits to Galbraith's Place.  It occurred generally after the rounding-up
and branding seasons, when the cowboys and ranchmen were "flush" with
money.  It was generally conceded that Monsieur Pierre would have made an
early excursion to a place where none is ever "ordered up," if he had not
been free with the money which he so plentifully won.

Card-playing was to him a science and a passion.  He loved to win for
winning's sake.  After that, money, as he himself put it, was only fit
to be spent for the good of the country, and that men should earn more.
Since he put his philosophy into instant and generous practice, active
and deadly prejudice against him did not have lengthened life.

The Mounted Police, or as they are more poetically called, the Riders of
the Plains, watched Galbraith's Place, not from any apprehension of
violent events, but because Galbraith was suspected of infringing the
prevailing law of Prohibition, and because for some years it had been a
tradition and a custom to keep an eye on Pierre.

As Jen Galbraith stood in the doorway looking abstractedly at the beacon,
her fingers smoothing her snowy apron the while, she was thinking thus to
herself: "Perhaps father is right.  If that Prairie Star were only at
Vancouver or Winnipeg instead of here, our Val could be something, more
than a prairie-rider.  He'd have been different, if father hadn't started
this tavern business.  Not that our Val is bad.  He isn't; but if he had
money he could buy a ranch,--or something."

Our Val, as Jen and her father called him, was a lad of twenty-two, one
year younger than Jen.  He was prairie-rider, cattle-dealer, scout,
cowboy, happy-go-lucky vagrant,--a splendid Bohemian of the plains.  As
Jen said, he was not bad; but he had a fiery, wandering spirit, touched
withal by the sunniest humour.  He had never known any curb but Jen's
love and care.  That had kept him within bounds so far.  All men of the
prairie spoke well of him.  The great new lands have codes and standards
of morals quite their own.  One enthusiastic admirer of this youth said,
in Jen's hearing, "He's a Christian--Val Galbraith!"  That was the
western way of announcing a man as having great civic and social virtues.
Perhaps the respect for Val Galbraith was deepened by the fact that there
was no broncho or cayuse that he could not tame to the saddle.

Jen turned her face from the flame and looked away from the oasis of
warmth it made, to where the light shaded away into darkness, a darkness
that was unbroken for many a score of miles to the north and west.  She
sighed deeply and drew herself up with an aggressive motion as though she
was freeing herself of something.  So she was.  She was trying to shake
off a feeling of oppression.  Ten minutes ago the gaslighted house behind
her had seemed like a prison.  She felt that she must have air, space,
and freedom.

She would have liked a long ride on the buffalo-track.  That, she felt,
would clear her mind.  She was no romantic creature out of her sphere, no
exotic.  She was country-born and bred, and her blood had been charged by
a prairie instinct passing through three generations.  She was part of
this life.  Her mind was free and strong, and her body was free and
healthy.  While that freedom and health was genial, it revolted against
what was gross or irregular.  She loved horses and dogs, she liked to
take a gun and ride away to the Poplar Hills in search of game, she found
pleasure in visiting the Indian Reservation, and talking to Sun-in-the-
North, the only good Indian chief she knew, or that anyone else on the
prairies knew.  She loved all that was strong and untamed, all that was
panting with wild and glowing life.  Splendidly developed, softly sinewy,
warmly bountiful, yet without the least physical over-luxuriance or
suggestiveness, Jen, with her tawny hair and dark-brown eyes, was a
growth of unrestrained, unconventional, and eloquent life.  Like Nature
around her, glowing and fresh, yet glowing and hardy.  There was,
however, just a strain of pensiveness in her, partly owing to the fact
that there were no women near her, that she had, virtually, lived her
life as a woman alone.

As she thus looked into the undefined horizon two things were happening:
a traveller was approaching Galbraith's Place from a point in that
horizon; and in the house behind her someone was singing.  The traveller
sat erect upon his horse.  He had not the free and lazy seat of the
ordinary prairie-rider.  It was a cavalry seat, and a military manner.
He belonged to that handful of men who patrol a frontier of near a
thousand miles, and are the security of peace in three hundred thousand
miles of territory--the Riders of the Plains, the North-West Mounted
Police.

This Rider of the Plains was Sergeant Thomas Gellatly, familiarly known
as Sergeant Tom.  Far away as he was he could see that a woman was
standing in the tavern door.  He guessed who it was, and his blood
quickened at the guessing.  But reining his horse on the furthest edge of
the lighted circle, he said, debatingly: "I've little time enough to get
to the Rise, and the order was to go through, hand the information to
Inspector Jules, and be back within forty-eight hours.  Is it flesh and
blood they think I am?  Me that's just come back from a journey of a
hundred miles, and sent off again like this with but a taste of sleep and
little food, and Corporal Byng sittin' there at Fort Desire with a pipe
in his mouth and the fat on his back like a porpoise.  It's famished I am
with hunger, and thirty miles yet to do; and she, standin' there with a
six months' welcome in her eye. . .  .  It's in the interest of Justice
if I halt at Galbraith's Place for half-an-hour, bedad!  The blackguard
hid away there at Soldier's Knee will be arrested all the sooner; for
horse and man will be able the better to travel.  I'm glad it's not me
that has to take him whoever he is.  It's little I like leadin' a fellow-
creature towards the gallows, or puttin' a bullet into him if he won't
come.  .  .  .  Now what will we do, Larry, me boy?  "this to the
broncho--"Go on without bite or sup, me achin' behind and empty before,
and you laggin' in the legs, or stay here for the slice of an hour and
get some heart into us?  Stay here is it, me boy?  then lave go me fut
with your teeth and push on to the Prairie Star there."  So saying,
Sergeant Tom, whose language in soliloquy, or when excited, was more
marked by a brogue than at other times, rode away towards Galbraith's
Place.

In the tavern at that moment, Pretty Pierrre was sitting on the bar-
counter, where temperance drinks were professedly sold, singing to
himself.  His dress was singularly neat, if coarse, and his slouch hat
was worn with an air of jauntiness according well with his slight make
and almost girlish delicacy of complexion.  He was puffing a cigarette,
in the breaks of the song.  Peter Galbraith, tall, gaunt, and sombre-
looking, sat with his chair tilted back against the wall, rather
nervously pulling at the strips of bark of which the yielding chair-seat
was made.  He may or may not have been listening to the song which had
run through several verses.  Where it had come from, no one knew; no one
cared to know.  The number of its verses were legion.  Pierre had a sweet
voice, of a peculiarly penetrating quality; still it was low and well-
modulated, like the colour in his cheeks, which gave him his name.

These were the words he was singing as Sergeant Tom rode towards the
tavern:

         "The hot blood leaps in his quivering breast
               Voila!  'Tis his enemies near!
          There's a chasm deep on the mountain crest
               Oh, the sweet Saint Gabrielle hear!
          They follow him close and they follow him fast,
               And he flies like a mountain deer;
          Then a mad, wild leap and he's safe at last!
               Oh, the sweet Saint Gabrielle hear!
          A cry and a leap and the danger's past
               Oh, the sweet Saint Gabrielle hear!"

At the close of the verse, Galbraith said: "I don't like that song.  I--I
don't like it.  You're not a father, Pierre."

"No, I am not a father.  I have some virtue of that.  I have spared the
world something, Pete Galbraith."

"You have the Devil's luck; your sins never get YOU into trouble."

A curious fire flashed in the half-breed's eyes, and he said, quietly:
"Yes, I have great luck; but I have my little troubles at times--at
times."

"They're different, though, from this trouble of Val's."  There was
something like a fog in the old man's throat.

"Yes, Val was quite foolish, you see.  If he had killed a white man--
Pretty Pierre, for instance--well, there would have been a show of
arrest, but he could escape.  It was an Injin.  The Government cherish
the Injin much in these days.  The redskin must be protected.  It must be
shown that at Ottawa there is justice.  That is droll--quite.  Eh, bien!
Val will not try to escape.  He waits too long-near twenty-four hours.
Then, it is as you see.  .  .  .  You have not told her?"  He nodded
towards the door of the sittingroom.

"Nothing.  It'll come on Jen soon enough if he doesn't get away, and bad
enough if he does, and can't come back to us.  She's fond of him--as fond
of him as a mother.  Always was wiser than our Val or me, Jen was.  More
sense than a judge, and proud but not too proud, Pierre--not too proud.
She knows the right thing to do, like the Scriptures; and she does it
too.  .  .  .  Where did you say he was hid?"

"In the Hollow at Soldier's Knee.  He stayed too long at Moose Horn.
Injins carried the news on to Fort Desire.  When Val started south for
the Border other Injins followed, and when a halt was made at Soldier's
Knee they pushed across country over to Fort Desire.  You see, Val's
horse give out.  I rode with him so far.  My horse too was broke up.
What was to be done?  Well, I knew a ranchman not far from Soldier's
Knee.  I told Val to sleep, and I would go on and get the ranchman to
send him a horse, while I come on to you.  Then he could push on to the
Border.  I saw the ranchman, and he swore to send a horse to Val
to-night.  He will keep his word.  He knows Val.  That was at noon to-
day, and I am here, you see, and you know all.  The danger?  Ah, my
friend,--the Police Barracks at Archangel's Rise!  If word is sent down
there from Fort Desire before Val passes, they will have out a big
patrol, and his chances,--well, you know them, the Riders of the Plains.
But Val, I think will have luck, and get into Montana before they can
stop him.  I hope; yes."

"If I could do anything, Pierre!  Can't we--"

The half-breed interrupted: "No, we can't do anything, Galbraith.  I have
done all.  The ranchman knows me.  He will keep his word, by the Great
Heaven!"  It would seem as if Pierre had reasons for relying on the
ranchman other than ordinary prairie courtesy to law-breakers.

"Pierre, tell me the whole story over, slow and plain.  It don't seem
nateral to think of it; but if you go over it again, perhaps I can get
the thing more reas'nable in my mind.  No, it ain't nateral to me,
Pierre--our Val running away."  The old man leaned forward and put his
elbows on his knees and his face in his hands.

"Eh, well, it was an Injin.  So much.  It was in self-defence--a little,
but of course to prove that.  There is the difficulty.  You see, they
were all drinking, and the Injin--he was a chief---proposed--he proposed
that Val should sell him his sister, Jen Galbraith, to be the chief's
squaw.  He would give him a cayuse.  Val's blood came up quick--quite
quick.  You know Val.  He said between his teeth: 'Look out, Snow Devil,
you Injin dog, or I'll have your heart.  Do you think a white girl is
like a redskin woman, to be sold as you sell your wives and daughters to
the squaw-men and white loafers, you reptile?'  Then the Injin said an
ugly word about Val's sister, and Val shot him dead like lightning....
Yes, that is good to swear, Galbraith.  You are not the only one that
curses the law in this world.  It is not Justice that fills the gaols,
but Law."

The old man rose and walked up and down the room in a shuffling kind of
way.  His best days were done, the spring of his life was gone, and the
step was that of a man who had little more of activity and force with
which to turn the halting wheels of life.  His face was not altogether
good, yet it was not evil.  There was a sinister droop to the eyelids, a
suggestion of cruelty about the mouth; but there was more of good-nature
and passive strength than either in the general expression.  One could
see that some genial influence had dominated what was inherently cruel
and sinister in him.  Still the sinister predisposition was there.

"He can't never come here, Pierre, can he?" he asked, despairingly.

"No, he can't come here, Galbraith.  And look: if the Riders of the
Plains should stop here to-night, or to-morrow, you will be cool--cool,
eh?"

"Yes, I will be quite cool, Pierre."  Then he seemed to think of
something else and looked up half-curiously, half-inquiringly at the
half-breed.

Pierre saw this.  He whistled quietly to himself for a little, and then
called the old man over to where he sat.  Leaning slightly forward he
made his reply to the look that had been bent upon him.  He touched
Galbraith's breast lightly with his delicate fingers, and said: "I have
not much love for the world, Pete Galbraith, and not much love for men
and women altogether; they are fools--nearly all.  Some men--you know--
treat me well.  They drink with me--much.  They would make life a hell
for me if I was poor--shoot me, perhaps, quick!--if--if I didn't shoot
first.  They would wipe me with their feet.  They would spoil Pretty
Pierre."  This he said with a grim kind of humour and scorn, refined in
its suppressed force.  Fastidious as he was in appearance, Pierre was not
vain.  He had been created with a sense of refinement that reduced the
grossness of his life; but he did not trade on it; he simply accepted it
and lived it naturally after his kind.  He was not good at heart, and he
never pretended to be so.  He continued: "No, I have not much love; but
Val, well, I think of him some.  His tongue is straight; he makes no
lies.  His heart is fire; his arms are strong; he has no fear.  He does
not love Pierre; but he does not pretend to love him.  He does not think
of me like the rest.  So much the more when his trouble comes I help him.
I help him to the death if he needs me.  To make him my friend--that is
good.  Eh?  Perhaps.  You see, Galbraith?"

The old man nodded thoughtfully, and after a little pause said: "I have
killed Injins myself;" and he made a motion of his head backward,
suggestive of the past.

With a shrug of his shoulders the other replied "Yes, so have I--
sometimes.  But the government was different then, and there were no
Riders of the Plains."  His white teeth showed menacingly under his
slight moustache.  Then there was another pause.  Pierre was watching the
other.

"What's that you're doing, Galbraith?"

"Rubbin' laudanum on my gums for this toothache.  Have to use it for
nuralgy, too."

Galbraith put the little vial back in his waistcoat pocket, and presently
said: "What will you have to drink, Pretty Pierre?"  That was his way of
showing gratitude.

"I am reform.  I will take coffee, if Jen Galbraith will make some.  Too
much broke glass inside is not good.  Yes."

Galbraith went into the sitting-room to ask Jen to make the coffee.
Pierre, still sitting on the bar-counter, sang to himself a verse of a
rough-and-ready, satirical prairie ballad:

    "The Riders of the Plains, my boys, are twenty thousand strong
          Oh, Lordy, don't they make the prairies howl!
     'Tis their lot to smile on virtue and to collar what is wrong,
          And to intercept the happy flowin' bowl.

     They've a notion, that in glory, when we wicked ones have chains
          They will all be major-generals--and that!
     They're a lovely band of pilgrims are the Riders of the Plains
          Will some sinner please to pass around the hat?"

As he reached the last two lines of the verse the door opened and
Sergeant Tom entered.  Pretty Pierre did not stop singing.  His eyes
simply grew a little brighter, his cheek flushed ever so slightly, and
there was an increase of vigour in the closing notes.

Sergeant Tom smiled a little grimly, then he nodded and said: "Been at it
ever since, Pretty Pierre?  You were singing the same song on the same
spot when I passed here six months ago."

"Eh, Sergeant Tom, it is you?  What brings you so far from your straw-bed
at Fort Desire?"  From underneath his hat-brim Pierre scanned the face of
the trooper closely.

"Business.  Not to smile on virtue, but to collar what is wrong.  I guess
you ought to be ready by this time to go into quarters, Pierre.  You've
had a long innings."

"Not yet, Sergeant Tom, though I love the Irish, and your company would
make me happy.  But I am so innocent, and the world--it cannot spare me
yet.  But I think you come to smile on virtue, all the same, Sergeant
Tom.  She is beautiful is Jen Galbraith.  Ah, that makes your eye bright
--so!  You Riders of the Plains, you do two things at one time.  You make
this hour someone happy, and that hour someone unhappy.  In one hand the
soft glove of kindness, in the other, voila!  the cold glove of steel.
We cannot all be great like that, Sergeant Tom."

"Not great, but clever.  Voila, the Pretty Pierre!  In one hand he holds
the soft paper, the pictures that deceive--kings, queens, and knaves; in
the other, pictures in gold and silver--money won from the pockets of
fools.  And so, as you say, 'bien,' and we each have our way, bedad!"

Sergeant Tom noticed that the half-breed's eyes nearly closed, as if to
hide the malevolence that was in them.  He would not have been surprised
to see a pistol drawn.  But he was quite fearless, and if it was not his
duty to provoke a difficulty, his fighting nature would not shrink from
giving as good as he got.  Besides, so far as that nature permitted, he
hated Pretty Pierre.  He knew the ruin that this gambler had caused here
and there in the West, and he was glad that Fort Desire, at any rate,
knew him less than it did formerly.

Just then Peter Galbraith entered with the coffee, followed by Jen.  When
the old man saw his visitor he stood still with sudden fear; but catching
a warning look from the eye of the half-breed, he made an effort to be
steady, and said: "Well, Jen, if it isn't Sergeant Tom!  And what brings
you down here, Sergeant Tom?  After some scalawag that's broke the law?"

Sergeant Tom had not noticed the blanched anxiety in the father's face;
for his eyes were seeking those of the daughter.  He answered the
question as he advanced towards Jen: "Yes and no, Galbraith; I'm only
takin' orders to those who will be after some scalawag by daylight in
the mornin', or before.  The hand of a traveller to you, Miss Jen."

Her eyes replied to his in one language; her lips spoke another.  "And
who is the law-breaker, Sergeant Tom?" she said, as she took his hand.

Galbraith's eyes strained towards the soldier till the reply came:
"And I don't know that; not wan o' me.  I'd ridden in to Fort Desire from
another duty, a matter of a hundred miles, whin the major says to me,
'There's murder been done at Moose Horn.  Take these orders down to
Archangel's Rise, and deliver them and be back here within forty-eight
hours.'  And here I am on the way, and, if I wasn't ready to drop for
want of a bite and sup, I'd be movin' away from here to the south at this
moment."

Galbraith was trembling with excitement.  Pierre warned him by a look,
and almost immediately afterward gave him a reassuring nod, as if an
important and favourable idea had occurred to him.

Jen, looking at the Sergeant's handsome face, said: "It's six months to a
day since you were here, Sergeant Tom."

"What an almanac you are, Miss!"

Pretty Pierre sipping his coffee here interrupted musingly: "But her
almanac is not always so reliable.  So I think.  When was I here last,
Ma'm'selle?"

With something like menace in her eyes Jen replied: "You were here six
months ago to-day, when you won thirty dollars from our Val; and then
again, just thirty days after that."

"Ah, so!  You remember with a difference."

A moment after, Sergeant Tom being occupied in talking to Jen, Pierre
whispered to Peter Galbraith: "His horse--then the laudanum!"

Galbraith was puzzled for a moment, but soon nodded significantly, and
the sinister droop to his eyes became more marked.  He turned to the
Sergeant and said, "Your horse must be fed as well as yourself, Sergeant
Tom.  I'll look after the beast, and Jen will take care of you.  There's
some fresh coffee, isn't there, Jen?"

Jen nodded an affirmative.  Galbraith knew that the Sergeant would trust
no one to feed his horse but himself, and the offer therefore was made
with design.

Sergeant Tom replied instantly: "No, I'll do it if someone will show me
the grass pile."

Pierre slipped quietly from the counter, and said, "I know the way,
Galbraith.  I will show."

Jen turned to the sitting-room, and Sergeant Tom moved to the tavern
door, followed by Pierre, who, as he passed Galbraith, touched the old
man's waistcoat pocket, and said: "Thirty drops in the coffee."

Then he passed out, singing softly:

         "And he sleepeth so well, and he sleepeth so long
               The fight it was hard, my dear;
          And his foes were many and swift and strong
               Oh, the sweet Saint Gabrielle hear!"

There was danger ahead for Sergeant Thomas Gellatly.  Galbraith followed
his daughter to the sitting-room.  She went to the kitchen and brought
bread, and cold venison, and prairie fowl, and stewed dried apples--the
stay and luxury of all rural Canadian homes.  The coffee-pot was then
placed on the table.  Then the old man said: "Better give him some of
that old cheese, Jen, hadn't you?  It's in the cellar."  He wanted to be
rid of her for a few moments.  "S'pose I had," and Jen vanished.

Now was Galbraith's chance.  He took the vial of laudanum from his
pocket, and opened the coffee-pot.  It was half full.  This would not
suit.  Someone else--Jen--might drink the coffee also!  Yet it had to be
done.  Sergeant Tom should not go on.  Inspector Jules and his Riders of
the Plains must not be put upon the track of Val.  Twelve hours would
make all the difference.  Pour out a cup of coffee?--Yes, of course, that
would do.  It was poured out quickly, and then thirty drops of laudanum
were carefully counted into it.  Hark, they are coming back!--Just in
time.  Sergeant Tom and Pierre enter from outside, and then Jen from the
kitchen.  Galbraith is pouring another cup of coffee as they enter, and
he says: "Just to be sociable I'm goin' to have a cup of coffee with you,
Sergeant Tom.  How you Riders of the Plains get waited on hand and foot!"
Did some warning flash through Sergeant Tom's mind or body, some mental.
shock or some physical chill?  For he distinctly shivered, though he was
not cold.  He seemed suddenly oppressed with a sense of danger.  But his
eyes fell on Jen, and the hesitation, for which he did not then try to
account, passed.  Jen, clear-faced and true, invited him to sit and eat,
and he, starting half-abstractedly, responded to her "Draw nigh, Sergeant
Tom," and sat down.  Commonplace as the words were, they thrilled him,
for he thought of a table of his own in a home of his own, and the same
words spoken everyday, but without the "Sergeant,"--simply "Tom."

He ate heartily and sipped his coffee slowly, talking meanwhile to Jen
and Galbraith.  Pretty Pierre watched them all.  Presently the gambler
said: "Let us go and have our game of euchre, Galbraith.  Ma'm'selle can
well take care of Sergeant Tom."

Galbraith drank the rest of his coffee, rose, and passed with Pierre into
the bar-room.  Then the halfbreed said to him, "You were careful--thirty
drops?"

"Yes, thirty drops."  The latent cruelty of the old man's nature was
awake.

"That is right.  It is sleep; not death.  He will sleep so sound for half
a day, perhaps eighteen hours, and then!--Val will have a long start."

In the sitting-room Sergeant Tom was saying: "Where is your brother, Miss
Galbraith?"  He had no idea that the order in his pocket was for the
arrest of that brother.  He merely asked the question to start the talk.

He and Jen had met but five or six times; but the impression left on the
minds of both was pleasant--ineradicable.  Yet, as Sergeant Tom often
asked himself during the past six months, why should he think of her?
The life he led was one of severe endurance, and harshness, and
austerity.  Into it there could not possibly enter anything of home.  He
was but a noncommissioned officer of the Mounted Police, and beyond that
he had nothing.  Ireland had not been kind to him.  He had left her
inhospitable shores, and after years of absence he had but a couple of
hundred dollars laid up--enough to purchase his discharge and something
over, but nothing with which to start a home.  Ranching required capital.
No, it couldn't be thought of; and yet he had thought of it, try as he
would not to do so.  And she?  There was that about this man who had
lived life on two continents, in whose blood ran the warm and chivalrous
Celtic fire, which appealed to her.  His physical manhood was noble, if
rugged; his disposition genial and free, if schooled, but not entirely,
to that reserve which his occupation made necessary--a reserve he would
have been more careful to maintain, in speaking of his mission a short
time back in the bar-room, if Jen had not been there.  She called out the
frankest part of him; she opened the doors of his nature; she attracted
confidence as the sun does the sunflower.

To his question she replied: "I do not know where our Val is.  He went on
a hunting expedition up north.  We never can tell about him, when he will
turn up or where he will be to-morrow.  He may walk in any minute.  We
never feel uneasy.  He always has such luck, and comes out safe and sound
wherever he is.  Father says Val's a hustler, and that nothing can keep
in the road with him.  But he's a little wild--a little.  Still, we don't
hector him, Sergeant Tom; hectoring never does any good, does it?"

"No, hectoring never does any good.  And as for the wildness, if the
heart of him's right, why that's easy out of him whin he's older.  It's a
fine lad I thought him, the time I saw him here.  It's his freedom I wish
I had--me that has to travel all day and part of the night, and thin part
of the day and all night back again, and thin a day of sleep and the same
thing over again.  And that's the life of me, sayin' nothin' of the frost
and the blizzards, and no home to go to, and no one to have a meal for me
like this whin I turn up."  And the sergeant wound up with, "Whooroo!
there's a speech for you, Miss!" and laughed good-humouredly.  For all
that, there was in his eyes an appeal that went straight to Jen's heart.

But, woman-like, she would not open the way for him to say anything more
definite just yet.  She turned the subject.  And yet again, woman-like,
she knew it would lead to the same conclusion:

"You must go to-night?"

"Yes, I must."

"Nothing--nothing would keep you?"

"Nothing.  Duty is duty, much as I'd like to stay, and you givin' me the
bid.  But my orders were strict.  You don't know what discipline means,
perhaps.  It means obeyin' commands if you die for it; and my commands
were to take a letter to Inspector Jules at Archangel's Rise to-night.
It's a matter of murder or the like, and duty must be done, and me that
sleepy, not forgettin' your presence, as ever a man was and looked the
world in the face."

He drank the rest of the coffee and mechanically set the cup down, his
eyes closing heavily as he did so.  He made an effort, however, and
pulled himself together.  His eyes opened, and he looked at Jen steadily
for a moment.  Then he leaned over and touched her hand gently with his
fingers,--Pierre's glove of kindness,--and said: "It's in my heart to
want to stay; but a sight of you I'll have on my way back.  But I must go
on now, though I'm that drowsy I could lie down here and never stir
again."

Jen said to herself: "Poor fellow, poor fellow, how tired he is!  I
wish"--but she withdrew her hand.  He put his hand to his head, and said,
absently: "It's my duty and it's orders, and .  .  .  what was I sayin'?
The disgrace of me if, if .  .  .  bedad!  the sleep's on me; I'm awake,
but I can't open my eyes.  .  .  .  If the orders of me--and a good meal
.  .  .  and the disgrace .  .  .  to do me duty-looked the world in the
face--"

During this speech he staggered to his feet, Jen watching him anxiously
the while.  No suspicion of the cause of his trouble crossed her mind.
She set it down to extreme natural exhaustion.  Presently feeling the
sofa behind him, he dropped upon it, and, falling back, began to breathe
heavily.  But even in this physical stupefaction he made an effort to
reassert himself, to draw himself back from the coming unconsciousness.
His eyes opened, but they were blind with sleep; and as if in a dream,
he said: "My duty .  .  .  disgrace .  .  .  a long sleep .  .  .  Jen,
dearest"--how she started then!--"it must be done .  .  .  my Jen!" and
he said no more.

But these few words had opened up a world for her--a new-created world on
the instant.  Her life was illuminated.  She felt the fulness of a great
thought suffusing her face.  A beautiful dream was upon her.  It had come
to her out of his sleep.  But with its splendid advent there came the
other thing that always is born with woman's love--an almost pathetic
care of the being loved.  In the deep love of women the maternal and
protective sense works in the parallels of mutual regard.  In her life
now it sprang full-statured in action; love of him, care of him; his
honour her honour; his life her life.  He must not sleep like this if it
was his duty to go on.  Yet how utterly worn he must be!  She had seen
men brought in from fighting prairie fires for three days without sleep;
had watched them drop on their beds, and lie like logs for thirty-six
hours.  This sleep of her lover was, therefore, not so strange to her.
but it was perilous to the performance of his duty.

"Poor Sergeant Tom," she said.  "Poor Tom," she added; and then, with a
great flutter at the heart at last, "My Tom!"  Yes, she said that; but
she said it to the beacon, to the Prairie Star, burning outside brighter,
it seemed to her, than it had ever done be fore.  Then she sat down and
watched him for many minutes, thinking at the end of each that she would
wake him.  But the minutes passed, his breathing grew heavier, and he did
not stir.  The Prairie Star made quivering and luminous curtains of red
for the windows, and Jen's mind was quivering in vivid waves of feeling
just the same.  It seemed to her as if she was looking at life now
through an atmosphere charged with some rare, refining essence, and that
in it she stood exultingly.  Perhaps she did not define it so; but that
which we define she felt.  And happy are they who feel it, and, feeling
it, do not lose it in this world, and have the hope of carrying it into
the next.

After a time she rose, went over to him and touched his shoulder.  It
seemed strange to her to do this thing.  She drew back timidly from the
pleasant shock of a new experience.  Then she remembered that he ought to
be on his way, and she shook him gently, then, with all her strength, and
called to him quietly all the time, as if her low tones ought to wake
him, if nothing else could.  But he lay in a deep and stolid slumber.  It
was no use.  She went to her seat and sat down to think.  As she did so,
her father entered the room.

"Did you call, Jen?" he said; and turned to the sofa.  "I was calling to
Sergeant Tom.  He's asleep there; dead-gone, father.  I can't wake him."

"Why should you wake him?  He is tired."

The sinister lines in Galbraith's face had deepened greatly in the last
hour.  He went over and looked closely at the Sergeant, followed
languidly by Pierre, who casually touched the pulse of the sleeping man,
and said as casually:

"Eh, he sleep well; his pulse is like a baby; he was tired, much.
He has had no sleep for one, two, three nights, perhaps; and a good meal,
it makes him comfortable, and so you see!"

Then he touched lightly the triple chevron on Sergeant Tom's arm, and
said:

"Eh, a man does much work for that.  And then, to be moral and the friend
of the law all the time!"  Pierre here shrugged his shoulders.  "It is
easier to be wicked and free, and spend when one is rich, and starve when
one is poor, than to be a sergeant and wear the triple chevron.  But the
sleep will do him good just the same, Jen Galbraith."

"He said that he must go to Archangel's Rise tonight, and be back at Fort
Desire to-morrow night."

"Well, that's nothing to us, Jen," replied Galbraith, roughly.  "He's got
his own business to look after.  He and his tribe are none too good to us
and our tribe.  He'd have your old father up to-morrow for selling a
tired traveller a glass of brandy; and worse than that, ay, a great sight
worse than that, mind you, Jen."

Jen did not notice, or, at least, did not heed, the excited emphasis on
the last words.  She thought that perhaps her father had been set against
the Sergeant by Pierre.

"There, that'll do, father," she said.  "It's easy to bark at a dead
lion.  Sergeant Tom's asleep, and you say things that you wouldn't say if
he was awake.  He never did us any harm, and you know that's true,
father."

Galbraith was about to reply with anger; but he changed his mind and
walked into the bar-room, followed by Pierre.

In Jen's mind a scheme had been hurriedly and clearly formed; and with
her, to form it was to put it into execution.  She went to Sergeant Tom,
opened his coat, felt in the inside pocket, and drew forth an official
envelope.  It was addressed to Inspector Jules at Archangel's Rise.  She
put it back and buttoned up the coat again.  Then she said, with her
hands firmly clenching at her side,--"I'll do it."

She went into the adjoining room and got a quilt, which she threw over
him, and a pillow, which she put under his head.  Then she took his cap
and the cloak which he had thrown over a chair, as if to carry them away.
But another thought occurred to her, for she looked towards the bar-room
and put them down again.  She glanced out of the window and saw that her
father and Pierre had gone to lessen the volume of gas which was feeding
the flame.  This, she knew, meant that her father would go to bed when he
came back to the house; and this suited her purpose.  She waited till
they had entered the bar-room again, and then she went to them, and said:
"I guess he's asleep for all night.  Best leave him where he is.  I'm
going.  Good-night."

When she got back to the sitting-room she said to herself: "How old
father's looking!  He seems broken up to-day.  He isn't what he used to
be."  She turned once more to look at Sergeant Tom, then she went to her
room.

A little later Peter Galbraith and Pretty Pierre went to the sitting-
room, and the old man drew from the Sergeant's pocket the envelope which
Jen had seen.  Pierre took it from him.  "No, Pete Galbraith.  Do not be
a fool.  Suppose you steal that paper.  Sergeant Tom will miss it.  He
will understand.  He will guess about the drug, then you will be in
trouble.  Val will be safe now.  This Rider of the Plains will sleep long
enough for that.  There, I put the paper back.  He sleeps like a log.  No
one can suspect the drug, and it is all as we like.  No, we will not
steal; that is wrong--quite wrong"--here Pretty Pierre showed his teeth.
"We will go to bed.  Come!"

Jen heard them ascend the stairs.  She waited a half-hour, then she stole
into Val's bedroom, and when she emerged again she had a bundle of
clothes across her arm.  A few minutes more and she walked into the
sitting-room dressed in Val's clothes, and with her hair closely wound on
the top of her head.

The house was still.  The Prairie Star made the room light enough for her
purpose.  She took Sergeant Tom's cap and cloak and put them on.  She
drew the envelope from his pocket and put it in her bosom--she showed the
woman there, though for the rest of this night she was to be a Rider of
the Plains, She of the Triple Chevron.

She went towards the door, hesitated, drew back, then paused, stooped
down quickly, tenderly touched the soldier's brow with her lips, and
said: "I'll do it for you.  You shall not be disgraced--Tom."




III

This was at half-past ten o'clock.  At two o'clock a jaded and blown
horse stood before the door of the barracks at Archangel's Rise.  Its
rider, muffled to the chin, was knocking, and at the same time pulling
his cap down closely over his head.  "Thank God the night is dusky," he
said.  We have heard that voice before.  The hat and cloak are those of
Sergeant Tom, but the voice is that of Jen Galbraith.  There is some
danger in this act; danger for her lover, contempt for herself if she is
discovered.  Presently the door opens and a corporal appears.  "Who's
there?  Oh," he added, as he caught sight of the familiar uniform; "where
from?"

"From Fort Desire.  Important orders to Inspector Jules.  Require fresh
horse to return with; must leave mine here.  Have to go back at once."

"I say," said the corporal, taking the papers--"what's your name?"

"Gellatly--Sergeant Gellatly."

"Say, Sergeant Gellatly, this isn't accordin' to Hoyle--come in the night
and go in the night and not stay long enough to have a swear at the
Gover'ment.  Why, you're comin' in, aren't you?  You're comin' across the
door-mat for a cup of coffee and a warm while the horse is gettin' ready,
aren't you, Sergeant--Sergeant Gellatly, Sergeant Gellatly?  I've heard
of you, but--yes; I will hurry.  Here, Waugh, this to Inspector Jules!
If you won't step in and won't drink and will be unsociable, sergeant,
why, come on and you shall have a horse as good as the one you've
brought.  I'm Corporal Galna."

Jen led the exhausted horse to the stables.  Fortunately there was no
lantern used, and therefore little chance for the garrulous corporal to
study the face of his companion, even if he wished to do so.  The risk
was considerable; but Jen Galbraith was fired by that spirit of self-
sacrifice which has held a world rocking to destruction on a balancing
point of safety.

The horse was quickly saddled, Jen meanwhile remaining silent.  While she
was mounting, Corporal Galna drew and struck a match to light his pipe.
He held it up for a moment as though to see the face of Sergeant
Gellatly.  Jen had just given a good-night, and the horse the word and a
touch of the spur at the instant.  Her face, that is, such of it as could
be seen above the cloak and under the cap, was full in the light.  Enough
was seen, however, to call forth, in addition to Corporal Galna's good-
night, the exclamation," Well, I'm blowed!"

As Jen vanished into the night a moment after, she heard a voice calling
--not Corporal Galna's--"Sergeant Gellatly, Sergeant Gellatly!"  She
supposed it was Inspector Jules, but she would not turn back now.  Her
work was done.

A half-hour later Corporal Galna confided to Private Waugh that Sergeant
Gellatly was too damned pretty for the force--wondered if they called him
Beauty at Fort Desire--couldn't call him Pretty Gellatly, for there was
Pretty Pierre who had right of possession to that title--would like to
ask him what soap he used for his complexion--'twasn't this yellow bar-
soap of the barracks, which wouldn't lather, he'd bet his ultimate
dollar.

Waugh, who had sometime seen Sergeant Gellatly, entered into a
disputation on the point.  He said that "Sergeant Tom was good-looking,
a regular Irish thoroughbred; but he wasn't pretty, not much!--guessed
Corporal Galna had nightmare, and finally, as the interest in the theme
increased in fervour, announced that Sergeant Tom could loosen the teeth
of, and knock the spots off, any man among the Riders, from Archangel's
Rise to the Cypress Hills.  Pretty--not much--thoroughbred all over!"

And Corporal Galna replied, sarcastically,--"That he might be able for
spot dispersion of such a kind, but he had two as pretty spots on his
cheek, and as white and touch-no-tobacco teeth as any female ever had."
Private Waugh declared then that Corporal Galna would be saying Sergeant
Gellatly wasn't a man at all, and wore earrings, and put his hair into
papers; and when he could find no further enlargement of sarcasm,
consigned the Corporal to a fiery place of future torment reserved
for lunatics.

At this critical juncture Waugh was ordered to proceed to Inspector
Jules.  A few minutes after, he was riding away toward Soldier's Knee,
with the Inspector and another private, to capture Val Galbraith, the
slayer of Snow Devil, while four other troopers also started off in
different directions.




IV

It was six o'clock when Jen drew rein in the yard at Galbraith's Place.
Through the dank humours of the darkest time of the night she had watched
the first grey streaks of dawn appear.  She had caught her breath with
fear at the thought that, by some accident, she might not get back before
seven o'clock, the hour when her father rose.  She trembled also at the
supposition of Sergeant Tom awaking and finding his papers gone.  But her
fearfulness and excitement was not that of weakness, rather that of a
finely nervous nature, having strong elements of imagination, and,
therefore, great capacities for suffering as for joy; but yet elastic,
vigorous, and possessing unusual powers of endurance.  Such natures
rebuild as fast as they are exhausted.  In the devitalising time
preceding the dawn she had felt a sudden faintness come over her for a
moment; but her will surmounted it, and, when she saw the ruddy streaks
of pink and red glorify the horizon, she felt a sudden exaltation of
physical strength.  She was a child of the light, she loved the warm
flame of the sun, the white gleam of the moon.  Holding in her horse to
give him a five minutes' rest, she rose in her saddle and looked round.
She was alone in her circle of vision, she and her horse.  The long
hillocks of prairie rolled away like the sea to the flushed morning, and
the far-off Cypress Hills broke the monotonous skyline of the south.
Already the air was dissipated of its choking weight, and the vast
solitude was filling with that sense of freedom which night seems to shut
in as with four walls, and day to widen gloriously.  Tears sprang to her
eyes from a sudden rush of feeling; but her lips were smiling.  The world
was so different from what it was yesterday.  Something had quickened her
into a glowing life.

Then she urged the horse on, and never halted till she reached home.  She
unsaddled the animal that had shared with her the hardship of the long,
hard ride, hobbled it, and entered the house quickly.  No one was
stirring.  Sergeant Tom was still asleep.  This she saw, as she hurriedly
passed in and laid the cap and cloak where she had found them.  Then,
once again, she touched the brow of the sleeper with her lips, and went
to her room to divest herself of Val's clothes.  The thing had been done
without anyone knowing of her absence.  But she was frightened as she
looked into the mirror.  She was haggard, and her eyes were bloodshot.
Eight hours or nearly in the saddle, at ten miles an hour, had told on
her severely; as well it might.  Even a prairie-born woman, however,
understands the art and use of grooming better than a man.  Warm water
quickly heated at the gas, with a little acetic acid in it, used
generally for her scouring,--and then cold water with oatmeal flour, took
away in part the dulness and the lines in the flesh.  But the eyes!  Jen
remembered the vial of tincture of myrrh left by a young Englishman a
year ago, and used by him for refreshing his eyes after a drinking bout.
She got it, tried the tincture, and saw and felt an immediate benefit.
Then she made a cup of strong green tea, and in ten minutes was like
herself again.  Now for the horse.  She went quickly out where she could
not be seen from the windows of the house, and gave him a rubbing down
till he was quite dry.  Then she gave him a little water and some feed.
The horse was really the touchstone of discovery.  But Jen trusted in her
star.  If the worst came she would tell the tale.  It must be told anyway
to Sergeant Tom--but that was different now.  Even if the thing became
known it would only be a thing to be teased about by her father and
others, and she could stop that.  Poor girl, as though that was the worst
that was to come from her act!

Sergeant Tom slept deeply and soundly.  He had not stirred.  His
breathing was unnaturally heavy, Jen thought, but, no suspicion of foul
play came to her mind yet.  Why should it?  She gave herself up to a
sweet and simple sense of pride in the deed she had done for him,
disturbed but slightly by the chances of discovery, and the remembrance
of the match that showed her face at Archangel's Rise.  Her hands touched
the flaxen hair of the soldier, and her eyes grew luminous.  One night
had stirred all her soul to its depths.  A new woman had been born in
her.  Val was dear to her--her brother Val; but she realised now that
another had come who would occupy a place that neither father, nor
brother, nor any other could fill.  Yet it was a most weird set of tragic
circumstances.  This man before her had been set to do a task which might
deprive her brother of his life, certainly of his freedom; that would
disgrace him; her father had done a great wrong too, had put in danger
the life of the man she loved, to save his son; she herself in doing this
deed for her lover had placed her brother in jeopardy, had crossed swords
with her father's purposes, had done the one thing that stood between
that father's son and safety; Pretty Pierre, whom she hated and despised,
and thought to be the enemy of her brother and of her home, had proved
himself a friend; and behind it all was the brother's crime committed to
avenge an insult to her name.

But such is life.  Men and women are unwittingly their own executioners,
and the executioners of those they love.




V

An hour passed, and then Galbraith and Pierre appeared.  Jen noticed that
her father went over to Sergeant Tom and rather anxiously felt his pulse.
Once in the night the old man had come down and done the same thing.
Pierre said something in an undertone.  Did they think he was ill?  That
was Jon's thought.  She watched them closely; but the half-breed knew
that she was watching, and the two said nothing more to each other.  But
Pierre said, in a careless way: "It is good he have that sleep.  He was
played out, quite."

Jon replied, a secret triumph at her heart: "But what about his orders,
the papers he was to carry to Archangel's Rise?  What about his being
back at Fort Desire in the time given him?"

"It is not much matter about the papers.  The poor devil that Inspector
Jules would arrest--well, he will get off, perhaps, but that does no one
harm.  Eh, Galbraith?  The law is sometimes unkind.  And as for obeying
orders, why, the prairie is wide, it is a hard ride, horses go wrong;
--a little tale of trouble to Inspector Jules, another at Fort Desire,
and who is to know except Pete Galbraith, Jen Galbraith, and Pierre?
Poor Sergeant Tom.  It was good he sleep so."

Jen felt there was irony behind the smooth words of the gambler.  He had
a habit of saying things, as they express it in that country, between his
teeth.  That signifies what is animal-like and cruel.  Galbraith stood
silent during Pierre's remarks, but, when he had finished, said:

"Yes, it's all right if he doesn't sleep too long; but there's the
trouble--too long!"

Pierre frowned a warning, and then added, with unconcern: "I remember
when you sleep thirty hours, Galbraith--after the prairie fire, three
years ago, eh!"

"Well, that's so; that's so as you say it.  We'll let him sleep till
noon, or longer--or longer, won't we, Pierre?"

"Yes, till noon is good, or longer."

"But he shall not sleep longer if I can wake him," said Jen.  "You do not
think of the trouble all this sleeping may make for him."

"But then--but then, there is the trouble he will make for others, if he
wakes.  Think.  A poor devil trying to escape the law!"

"But we have nothing to do with that, and justice is justice, Pierre."

"Eh, well, perhaps, perhaps!"  Galbraith was silent.

Jen felt that so far as Sergeant Tom's papers were concerned he was safe;
but she felt also that by noon he ought to be on his way back to Fort
Desire--after she had told him what she had done.  She was anxious for
his honour.  That her lover shall appear well before the world, is a
thing deep in the heart of every woman.  It is a pride for which she will
deny herself, even of the presence of that lover.

"Till noon," Jen said, "and then he must go."




VI

Jen watched to see if her father or Pierre would notice that the horse
was changed, had been travelled during the night, or that it was a
different one altogether.  As the morning wore away she saw that they did
not notice the fact.  This ignorance was perhaps owing largely to the
appearance of several ranchmen from near the American border.  They spent
their time in the bar-room, and when they left it was nearly noon.  Still
Sergeant Tom slept.  Jen now went to him and tried to wake him.  She
lifted him to a sitting position, but his head fell on her shoulder.
Disheartened, she laid him down again.  But now at last an undefined
suspicion began to take possession of her.  It made her uneasy; it filled
her with a vague sense of alarm.  Was this sleep natural?  She remembered
that, when her father and others had slept so long after the prairie
fire, she had waked them once to give them drink and a little food, and
they did not breathe so heavily as he was doing.  Yet what could be done?
What was the matter?  There was not a doctor nearer than a hundred miles.
She thought of bleeding,--the old-fashioned remedy still used on the
prairies--but she decided to wait a little.  Somehow she felt that she
would receive no help from her father or Pierre.  Had they anything to
do with this sleep?  Was it connected with the papers?  No, not that, for
they had not sought to take them, and had not made any remark about their
being gone.  This showed their unconcern on that point.  She could not
fathom the mystery, but the suspicion of something irregular deepened.
Her father could have no reason for injuring Sergeant Tom; but Pretty
Pierre--that was another matter.  Yet she remembered too that her father
had appeared the more anxious of the two about the Sergeant's sleep.  She
recalled that he said: "Yes, it's all right, if he doesn't sleep too
long."

But Pierre could play a part, she knew, and could involve others in
trouble, and escape himself.  He was a man with a reputation for
occasional wickednesses of a naked, decided type.  She knew that he was
possessed of a devil, of a very reserved devil, but liable to bold action
on occasions.  She knew that he valued the chances of life or death no
more than he valued the thousand and one other chances of small
importance, which occur in daily experience.  It was his creed that one
doesn't go till the game is done and all the cards are played.  He had a
stoic indifference to events.

He might be capable of poisoning--poisoning! ah, that thought! of
poisoning Sergeant Tom for some cause.  But her father?  The two seemed
to act alike in the matter.  Could her father approve of any harm
happening to Tom?  She thought of the meal he had eaten, of the coffee
he had drunk.  The coffee-was that the key?  But she said to herself that
she was foolish, that her love had made her so.  No, it could not be.

But a fear grew upon her, strive as she would against it.  She waited
silently and watched, and twice or thrice made ineffectual efforts to
rouse him.  Her father came in once.  He showed anxiety; that was
unmistakable, but was it the anxiety of guilt of any kind?  She said
nothing.  At five o'clock matters abruptly came to a climax.  Jen was in
the kitchen, but, hearing footsteps in the sitting-room, she opened the
door quietly.  Her father was bending over Sergeant Tom, and Pierre was
speaking: "No, no, Galbraith, it is all right.  You are a fool.  It could
not kill him."

"Kill him--kill him," she repeated gaspingly to herself.

"You see he was exhausted; he may sleep for hours yet.  Yes, he is safe,
I think."

"But Jen, she suspects something, she--"

"Hush!" said Pretty Pierre.  He saw her standing near.  She had glided
forward and stood with flashing eyes turned, now upon the one, and now
upon the other.  Finally they rested on Galbraith.

"Tell me what you have done to him; what you and Pretty Pierre have done
to him.  You have some secret.  I will know."  She leaned forward,
something of the tigress in the poise of her body.  "I tell you, I will
know."  Her voice was low, and vibrated with fierceness and
determination.  Her eyes glowed, and her nostrils trembled with disdain
and indignation.  As they drew back,--the old man sullenly, the gambler
with a slight gesture of impatience,--she came a step nearer to them and
waited, the cords of her shapely throat swelling with excitement.  A
moment so, and then she said in a tone that suggested menace,
determination:

"You have poisoned him.  Tell me the truth.  Do you hear, father--the
truth, or I will hate you.  I will make you repent it till you die."

"But--" Pierre began.

She interrupted him.  "Do not speak, Pretty Pierre.  You are a devil.
You will lie.  Father--!"  She waited.  "What difference does it make to
you, Jen?"  "What difference--what difference to me?  That you should be
a murderer?"

"But that is not so, that is a dream of yours, Ma'm'selle," said Pierre.

She turned to her father again.  "Father, will you tell the truth to me?
I warn you it will be better for you both."

The old man's brow was sullen, and his lips were twitching nervously.
"You care more for him than you do for your own flesh and blood, Jen.
There's nothing to get mad about like that.  I'll tell you when he's
gone.  .  .  .  Let's--let's wake him," he added, nervously.

He stooped down and lifted the sleeping man to a sitting posture.  Pierre
assisted him.

Jen saw that the half-breed believed Sergeant Tom could be wakened, and
her fear diminished slightly, if her indignation did not.  They lifted
the soldier to his feet.  Pierre pressed the point of a pin deep into his
arm.  Jen started forward, woman-like, to check the action, but drew
back, for she saw heroic measures might be necessary to bring him to
consciousness.  But, nevertheless, her anger broke bounds, and she said:
"Cowards--cowards!  What spite made you do this?"

"Damnation, Jen," said the father, "you'll hector me till I make you
sorry.  What's this Irish policeman to you?  What's he beside your own
flesh and blood, I say again."

"Why does my own flesh and blood do such wicked tricks to an Irish
soldier?  Why does it give poison to an Irish soldier?"

"Poison, Jen?  You needn't speak so ghost-like.  It was only a dose of
laudanum; not enough to kill him.  Ask Pierre."

Inwardly she believed him, and said a Thank-God to herself, but to the
half-breed she remarked: "Yes, ask Pierre--you are behind all this!
It is some evil scheme of yours.  Why did you do it?  Tell the truth for
once."  Her eyes swam angrily with Pierre's.

Pierre was complacent; he admired her wild attacks.  He smiled, and
replied: "My dear, it was a whim of mine; but you need not tell him, all
the same, when he wakes.  You see this is your father's house, though the
whim is mine.  But look: he is waking-the pin is good.  Some cold water,
quick!"

The cold water was brought and dashed into the face of the soldier.  He
showed signs of returning consciousness.  The effect of the laudanum had
been intensified by the thoroughly exhausted condition of the body.

But the man was perfectly healthy, and this helped to resist the danger
of a fatal result.

Pierre kept up an intermittent speech.  "Yes, it was a mere whim of mine.
Eh, he will think he has been an ass to sleep so long, and on duty, and
orders to carry to Archangel's Rise!"  Here he showed his teeth again,
white and regular like a dog's.  That was the impression they gave, his
lips were so red, and the contrast was so great.  One almost expected to
find that the roof of his mouth was black, like that of a well-bred
hound; but there is no evidence available on the point.

"There, that is good," he said.  "Now set him down, Pete Galbraith.
Yes--so, so!  Sergeant Tom, ah, you will wake well, soon.  Now the eyes
a little wider.  Good.  Eh, Sergeant Tom, what is the matter?  It is
breakfast time--quite."

Sergeant Tom's eyes opened slowly and looked dazedly before him for a
minute.  Then they fell on Pierre.  At first there was no recognition,
then they became consciously clearer.  "Pretty Pierre, you here in the
barracks!" he said.  He put his hand to his head, then rubbed his eyes
roughly and looked up again.  This time he saw Jen and her father.  His
bewilderment increased.  Then he added: "What is the matter?  Have I been
asleep?  What--!"  He remembered.  He staggered to his feet and felt his
pockets quickly and anxiously for his letter.  It was gone.

"The letter!" he said.  "My orders!  Who has robbed me?  Faith, I
remember.  I could not keep awake after I drank the coffee.  My papers
are gone, I tell you, Galbraith," he said, fiercely.

Then he turned to Jen: "You are not in this, Jen.  Tell me."

She was silent for a moment, then was about to answer, when he turned
to the gambler and said: "You are at the bottom of this.  Give me my
papers."  But Pierre and Galbraith were as dumbfounded as the Sergeant
himself to know that the letter was gone.  They were stunned beyond
speech when Jen said, flushing: "No, Sergeant Tom, I am the thief.  When
I could not wake you, I took the letter from your pocket and carried it
to Inspector Jules last night,--or, rather, Sergeant Gellatly carried
them.  I wore his cap and cloak and passed for him."

"You carried that letter to Inspector Jules last night, Jen?" said the
soldier, all his heart in his voice.

Jen saw her father blanch, his mouth open blankly, and his lips refuse to
utter the words on them.  For the first time she comprehended some danger
to him, to herself--to Val!

"Father, father," she said,--" what is it?"

Pierre shrugged his shoulders and rejoined: "Eh, the devil!  Such
mistakes of women.  They are fools--all."  The old man put out a shaking
hand and caught his daughter's arm.  His look was of mingled wonder and
despair, as he said, in a gasping whisper, "You carried that letter to
Archangel's Rise?"

"Yes," she answered, faltering now; "Sergeant Tom had said how important
it was, you remember.  That it was his duty to take it to Inspector
Jules, and be back within forty-eight hours.  He fell asleep.  I could
not wake him.  I thought, what if he were my brother--our Val.  So, when
you and Pretty Pierre went to bed, I put on Val's clothes, took Sergeant
Tom's cloak and hat, carried the orders to Jules, and was back here by
six o'clock this morning."

Sergeant Tom's eyes told his tale of gratitude.  He made a step towards
her; but the old man, with a strange ferocity, motioned him back, saying,

"Go away from this house.  Go quick.  Go now, I tell you, or by God,--
I'll--"

Here Pretty Pierre touched his arm.

Sergeant Tom drew back, not because he feared but as if to get a mental
perspective of the situation.  Galbraith again said to his daughter,--
"Jen, you carried them papers?  You! for him--for the Law!"  Then he
turned from her, and with hand clenched and teeth set spoke to the
soldier: "Haven't you heard enough?  Curse you, why don't you go?"

Sergeant Tom replied coolly: "Not so fast, Galbraith.  There's some
mystery in all this.  There's my sleep to be accounted for yet.  You had
some reason, some"--he caught the eyes of Pierre.  He paused.  A light
began to dawn on his mind, and he looked at Jen, who stood rigidly pale,
her eyes fixed fearfully, anxiously, upon him.  She too was beginning to
frame in her mind a possible horror; the thing that had so changed her
father, the cause for drugging the soldier.  There was a silence in which
Pierre first, and then all, detected the sound of horses' hoofs.  Pierre
went to the door and looked out.  He turned round again, and shrugged his
shoulders with an expression of helplessness.  But as he saw Jen was
about to speak, and Sergeant Tom to move towards the door, he put up his
hand to stay them both, and said: "A little--wait!"

Then all were silent.  Jen's fingers nervously clasped and unclasped, and
her eyes were strained towards the door.  Sergeant Tom stood watching her
pityingly; the old man's head was bowed.  The sound of galloping grew
plainer.  It stopped.  An instant and then three horsemen appeared before
the door.  One was Inspector Jules, one was Private Waugh, and the other
between them was--let Jen tell who he was.  With an agonised cry she
rushed from the house and threw herself against the saddle, and with her
arms about the prisoner, cried: "Oh, Val, Val, it was you!  It was you
they were after.  It was you that--oh no, no, no!  My poor Val, and I
can't tell you--I can't tell you!"

Great as was her grief and self-reproach, she felt it would be cruel to
tell him the part she had taken in placing him in this position.  She
hated herself, but why deepen his misery?  His face was pale, but it had
its old, open, fearless look, which dissipation had not greatly marred.
His eyelids quivered, but he smiled, and touching her with his steel-
bound hands, gently said:

"Never mind, Jen.  It isn't so bad.  You see it was this way: Snow Devil
said something about someone that belonged to me, that cares more about
me than I deserve.  Well, he died sudden, and I was there at the time.
That's all.  I was trying with the help of Pretty Pierre to get out of
the country"--and he waved his hand towards the half-breed.

"With Pretty Pierre--Pierre?" she said.

"Yes, he isn't all gambler.  But they were too quick for me, and here I
am.  Jules is a hustler on the march.  But he said he'd stop here and let
me see you and dad as we go up to Fort Desire, and--there, don't mind,
Sis--don't mind it so!"

Her sobs had ceased, but she clung to him as if she could never let him
go.  Her father stood near her, all the lines in his face deepened into
bitterness.  To him Val said: "Why, dad, what's the matter?  Your hand
is shaky.  Don't you get this thing eatin' at your heart.

"It isn't worth it.  That Injin would have died if you'd been in my place,
I guess.  Between you and me, I expect to give Jules the slip before we
get there."  And he laughed at the Inspector, who laughed a little
austerely too, and in his heart wished that it was anyone else he had as
a prisoner than Val Galbraith, who was a favourite with the Riders of the
Plains.

Sergeant Tom had been standing in the doorway regarding this scene, and
working out in his mind the complications that had led to it.  At this
point he came forward, and Inspector Jules said to him, after a curt
salutation:

"You were in a hurry last night, Sergeant Gellatly.  You don't seem so
pushed for time now.  Usual thing.  When a man seems over-zealous--drink,
cards, or women behind it.  But your taste is good, even if, under
present circumstances"--He stopped, for he saw a threatening look in the
eyes of the other, and that other said: "We won't discuss that matter,
Inspector, if you please.  I'm going on to Fort Desire now.  I couldn't
have seen you if I'd wanted to last night."

"That's nonsense.  If you had waited one minute longer at the barracks
you could have done so.  I called to you as you were leaving, but you
didn't turn back."

"No. I didn't hear you."

All were listening to this conversation, and none more curiously than
Private Waugh.  Many a time in days to come he pictured the scene for the
benefit of his comrades.  Pretty Pierre, leaning against the hitching-
post near the bar-room, said languidly:

"But, Inspector, he speaks the truth--quite: that is a virtue of the
Riders of the Plains."  Val had his eyes on the half-breed, and a look of
understanding passed between them.  While Val and his father and sister
were saying their farewells in few words, but with homely demonstrations,
Sergeant Tom brought his horse round and mounted it.  Inspector Jules
gave the word to move on.  As they started, Gellatly, who fell behind the
others slightly, leaned down and whispered: "Forgive me, Jen.  You did
a noble act for me, and the life of me would prove to you that I'm
grateful.  It's sorry, sorry I am.  But I'll do what I can for Val,
as sure as the heart's in me.  Good-bye, Jen."

She looked up with a faint hope in her eyes.  "Goodbye!" she said.
"I believe you .  .  .  Good-bye!"

In a few minutes there was only a cloud of dust on the prairie to tell
where the Law and its quarry were.  And of those left behind, one was a
broken-spirited old man with sorrow melting away the sinister look in his
face; one, a girl hovering between the tempest of bitterness and a storm
of self-reproach; and one a half-breed gambler, who again sat on the bar-
counter smoking a cigarette and singing to himself, as indolently as if
he were not in the presence of a painful drama of life, perhaps a
tragedy.  But was the song so pointless to the occasion, after all, and
was the man so abstracted and indifferent as he seemed?  For thus the
song ran:

         "Oh, the bird in a cage and the bird on a tree
               Voila! 'tis a different fear!
          The maiden weeps and she bends the knee
               Oh, the sweet Saint Gabrielle hear!
          But the bird in a cage has a friend in the tree,
               And the maiden she dries her tear:
          And the night is dark and no moon you see
               Oh, the sweet Saint Gabrielle hear!
          When the doors are open the bird is free
               Oh, the sweet Saint Gabrielle hear!"




VII

These words kept ringing in Jen's ears as she stood again in the doorway
that night with her face turned to the beacon.  How different it seemed
now!  When she saw it last night it was a cheerful spirit of light--a
something suggesting comfort, companionship, aspiration, a friend to the
traveller, and a mysterious, but delightful, association.  In the morning
when she returned from that fortunate, yet most unfortunate, ride, it was
still burning, but its warm flame was exhausted in the glow of the life-
giving sun; the dream and delight of the night robbed of its glamour by
the garish morning; like her own body, its task done, sinking before the
unrelieved scrutiny of the day.  To-night it burned with a different
radiance.  It came in fiery palpitations from the earth.  It made a sound
that was now like the moan of pine trees, now like the rumble of far-off
artillery.  The slight wind that blew spread the topmost crest of flame
into strands of ruddy hair, and, looking at it, Jen saw herself rocked to
and fro by tumultuous emotions, yet fuller of strength and larger of life
than ever she had been.  Her hot veins beat with determination, with a
love which she drove back by another, cherished now more than it had ever
been, because danger threatened the boy to whom she had been as a mother.
In twenty-four hours she had grown to the full stature of love and
suffering.

There were shadows that betrayed less roundness to her face; there were
lines that told of weariness; but in her eyes there was a glowing light
of hope.  She raised her face to the stars and unconsciously paraphrasing
Pierre's song said: "Oh, the God that dost save us, hear!"

A hand touched her arm, and a voice said, huskily, "Jen, I wanted to save
him and--and not let you know of it; that's all.  You're not keepin' a
grudge agin me, my girl?"

She did not move nor turn her head.  "I've no grudge, father; but--if--
if you had told me, 'twouldn't be on my mind that I had made it worse for
Val."

The kindness in the voice reassured him, and he ventured to say: "I
didn't think you'd be carin' for one of the Riders of the Plains, Jen."

Then the old man trembled lest she should resent his words.  She seemed
about to do so, but the flush faded from her brow, and she said, simply:
"I care for Val most, father.  But he didn't know he was getting Val into
trouble."

She suddenly quivered as a wave of emotion passed through her; and she
said, with a sob in her voice: "Oh, it's all scrub country, father, and
no paths, and--and I wish I had a mother!"

The old man sat down in the doorway and bowed his grey head in his arms.
Then, after a moment, he whispered:

"She's been dead twenty-two years, Jen.  The day Val was born she went
away.  I'd a-been a better man if she'd a-lived, Jen; and a better
father."

This was an unusual demonstration between these two.  She watched him
sadly for a moment, and then, leaning over and touching him gently on the
shoulder, said: "It's worse for you than it is for me, father.  Don't
feel so bad.  Perhaps we shall save him yet."

He caught a gleam of hope in her words: "Mebbe, Jen, mebbe!" and he
raised his face to the light.

This ritual of affection was crude and unadorned; but it was real.  They
sat there for half-an-hour, silent.

Then a figure came out of the shadows behind the house and stood before
them.  It was Pierre.

"I go to-morrow morning, Galbraith," he said.  The old man nodded, but
did not reply.

"I go to Fort Desire," the gambler added.

Jen faced him.  "What do you go there for, Pretty Pierre?"

"It is my whim.  Besides, there is Val.  He might want a horse some dark
night."

"Pierre, do you mean that?"

"As much as Sergeant Tom means what he says.  Every man has his friends.
Pretty Pierre has a fancy for Val Galbraith--a little.  It suits him to
go to Fort Desire.  Jen Galbraith, you make a grand ride last night.  You
do a bold thing--all for a man.  We shall see what he will do for you.
And if he does nothing--ah! you can trust the tongue of Pretty Pierre.
He will wish he could die, instead of--Eh, bien, good-night!"  He moved
away.  Jen followed him.  She held out her hand.  It was the first time
she had ever done so to this man.

"I believe you," she said.  "I believe that you mean well to our Val.  I
am sorry that I called you a devil."  He smiled.  "Ma'm'selle, that is
nothing.  You spoke true.  But devils have their friends--and their
whims.  So you see, good-night."

"Mebbe it will come out all right, Jen--mebbe!" said the old man.

But Jen did not reply.  She was thinking hard, her eyes upon the Prairie
Star.  Living life to the hilt greatly illumines the outlook of the mind.
She was beginning to understand that evil is not absolute, and that good
is often an occasion more than a condition.

There was a long silence again.  At last the old man rose to go and
reduce the volume of flame for the night; but Jen stopped him.  "No,
father, let it burn all it can to-night.  It's comforting."

"Mebbe so--mebbe!" he said.

A faint refrain came to them from within the house:

              "When doors are open the bird is free
               Oh, the sweet Saint Gabrielle hear!"




VIII

It was a lovely morning.  The prairie billowed away endlessly to the
south, and heaved away in vastness to the north; and the fresh, sharp air
sent the blood beating through the veins.  In the bar-room some early
traveller was talking to Peter Galbraith.  A wandering band of Indians
was camped about a mile away, the only sign of humanity in the waste.
Jen sat in the doorway culling dried apples.  Though tragedies occur in
lives of the humble, they must still do the dull and ordinary task.  They
cannot stop to cherish morbidness, to feed upon their sorrow; they must
care for themselves and labour for others.  And well is it for them that
it is so.

The Indian camp brings unpleasant memories to Jen's mind.  She knows it
belongs to old Sun-in-the-North, and that he will not come to see her
now, nor could she, or would she, go to him.  Between her and that race
there can never again be kindly communion.  And now she sees, for the
first time, two horsemen riding slowly in the track from Fort Desire
towards Galbraith's Place.  She notices that one sits upright, and one
seems leaning forward on his horse's neck.  She shades her eyes with her
hand, but she cannot distinguish who they are.  But she has seen men tied
to their horses ride as that man is riding, when stricken with fever,
bruised by falling timber, lacerated by a grizzly, wounded by a bullet,
or crushed by a herd of buffaloes.  She remembered at that moment the
time that a horse had struck Val with its forefeet, and torn the flesh
from his chest, and how he had been brought home tied to a broncho's
back.

The thought of this drove her into the house, to have Val's bed prepared
for the sufferer, whoever he was.  Almost unconsciously she put on the
little table beside the bed a bunch of everlasting prairie flowers, and
shaded the light to the point of quiet and comfort.

Then she went outside again.  The travellers now were not far away.  She
recognised the upright rider.  It was Pretty Pierre.  The other--she
could not tell.  She called to her father.  She had a fear which she did
not care to face alone.  "See, see, father," she said, "Pretty Pierre
and--and can it be Val?"  For the moment she seemed unable to stir.  But
the old man shook his head, and said: "No, Jen, it can't be.  It ain't
Val."

Then another thought possessed her.  Her lips trembled, and, throwing her
head back as does a deer when it starts to shake off its pursuers by
flight, she ran swiftly towards the riders.  The traveller standing
beside Galbraith said: "That man is hurt, wounded probably.  I didn't
expect to have a patient in the middle of the plains.  I'm a doctor.
Perhaps I can be of use here?"  When a hundred yards away Jen recognised
the recumbent rider.  A thousand thoughts flashed through her brain.
What had happened?  Why was he dressed in civilian's clothes?  A moment,
and she was at his horse's head.  Another, and her warm hand clasped the
pale, moist, and wrinkled one which hung by the horse's neck.  His coat
at the shoulder was stained with blood, and there was a handkerchief
about his head.  This--this was Sergeant Tom Gellatly!

She looked up at Pierre, an agony of inquiry in her eyes, and pointing
mutely to the wounded man.  Pierre spoke with a tone of seriousness not
common to his voice: "You see, Jen Galbraith, it was brave.  Sergeant Tom
one day resigns the Mounted Police.  He leaves the Riders of the Plains.
That is not easy to understand, for he is in much favour with the
officers.  But he buys himself out, and there is the end of the Sergeant
and his triple chevron.  That is one day.  That night, two men on a ferry
are crossing the Saskatchewan at Fort Desire.  They are fired at from the
shore behind.  One man is hit twice.  But they get across, cut the ferry
loose, mount horses, and ride away together.  The man that was hit--yes,
Sergeant Tom.  The other that was not hit was Val Galbraith."

Jen gave a cry of mingled joy and pain, and said, with Tom Gellatly's
cold hand clasped to her bosom: "Val, our Val, is free, is safe."

"Yes, Val is free and safe-quite.  The Riders of the Plains could not
cross the river.  It was too high.  And so Tom Gellatly and Val got away.
Val rides straight for the American border, and the other rides here."
They were now near the house, but Jen said, eagerly: "Go on.  Tell me
all."

"I knew what had happened soon, and I rode away, too, and last night I
found Tom Gellatly lying beside his horse on the prairie.  I have brought
him here to you.  You two are even now, Jen Galbraith."

They were at the tavern door.  The traveller and Pierre lifted, down the
wounded and unconscious man, and brought him and laid him on Val
Galbraith's bed.

The traveller examined the wounds in the shoulder and the head, and said:
"The head is all right.  If I can get the bullet out of the shoulder
he'll be safe enough--in time."

The surgery was skilful but rude, for proper instruments were not at
hand; and in a few hours he, whom we shall still call Sergeant Tom, lay
quietly sleeping, the pallor gone from his face and the feeling of death
from his hand.

It was near midnight when he waked.  Jen was sitting beside him.  He
looked round and saw her.  Her face was touched with the light that shone
from the Prairie Star.  "Jen," he said, and held out his hand.

She turned from the window and stood beside his bed.  She took his
outstretched hand.  "You are better, Sergeant Tom?" she said, gently.

"Yes, I'm better; but it's not Sergeant Tom I am any longer, Jen."

"I forgot that."

"I owed you a great debt, Jen.  I couldn't remain one of the Riders of
the Plains and try to pay it.  I left them.  Then I tried to save Val,
and I did.  I knew how to do it without getting anyone else into trouble.
It is well to know the trick of a lock and the hour that guard is
changed.  I had left, but I relieved guard that night just the same.
It was a new man on watch.  It's only a minute I had; for the regular
relief watch was almost at my heels.  I got Val out just in time.  They
discovered us, and we had a run for it.  Pretty Pierre has told you.
That's right.  Val is safe now--"

In a low strained voice, interrupting him, she said, "Did Val leave you
wounded so on the prairie?"

"Don't let that ate at your heart.  No, he didn't.  I hurried him off,
and he didn't know how bad I was hit.  But I--I've paid my debt, haven't
I, Jen?"  With eyes that could not see for tears, she touched pityingly,
lovingly, the wounds on his head and shoulder, and said: "These pay a
greater debt than you ever owed me.  You risked your life for me--yes,
for me.  You have given up everything to do it.  I can't pay you the
great difference.  No, never!"

"Yes--yes, you can, if you will, Jen.  It's as aisy!  If you'll say what
I say, I'll give you quit of that difference, as you call it, forever and
ever."

"First, tell me.  Is Val quite, quite safe?"

"Yes, he's safe over the border by this time; and to tell you the truth,
the Riders of the Plains wouldn't be dyin' to arrest him again if he was
in Canada, which he isn't.  It's little they wanted to fire at us,
I know, when we were crossin' the river, but it had to be done, you see,
and us within sight.  Will you say what I ask you, Jen?"

She did not speak, but pressed his hand ever so slightly.

"Tom Gellatly, I promise," he said.

"Tom Gellatly, I promise--"

"To give you as much--"

"To give you as much--"

"Love--"

There was a pause, and then she falteringly said, "Love--"

"As you give to me-"

"As you give to me--"

"And I'll take you poor as you are--"

"And I'll take you poor as you are--"

"To be my husband as long as you live--"

"To be my husband as long as you live--"

"So help me, God."

"So help me, God."

She stooped with dropping tears, and he kissed her once.  Then what was
girl in her timidly drew back, while what was woman in her, and therefore
maternal, yearned over the sufferer.

They had not seen the figure of an old man at the door.  They did not
hear him enter.  They only knew of Peter Galbraith's presence when he
said: "Mebbe--mebbe I might say Amen!"






THREE OUTLAWS

The missionary at Fort Anne of the H. B. C. was violently in earnest.
Before he piously followed the latest and most amply endowed batch of
settlers, who had in turn preceded the new railway to the Fort, the word
scandal had no place in the vocabulary of the citizens.  The H. B. C. had
never imported it into the Chinook language, the common meeting-ground of
all the tribes of the North; and the British men and native-born, who
made the Fort their home, or place of sojourn, had never found need for
its use.  Justice was so quickly distributed, men were so open in their
conduct, good and bad, that none looked askance, nor put their actions in
ambush, nor studied innuendo.  But this was not according to the new
dispensation--that is, the dispensation which shrewdly followed the
settlers, who as shrewdly preceded the railway.  And, the dispensation
and the missionary were known also as the Reverend Ezra Badgley, who, on
his own declaration, in times past had "a call" to preach, and in the far
East had served as local preacher, then probationer, then went on
circuit, and now was missionary in a district of which the choice did
credit to his astuteness, and gave room for his piety and for his holy
rage against the Philistines.  He loved a word for righteous mouthing,
and in a moment of inspiration pagan and scandal came to him.  Upon these
two words he stamped, through them he perspired mightily, and with them
he clenched his stubby fingers--such fingers as dug trenches, or snatched
lewdly at soft flesh, in days of barbarian battle.  To him all men were
Pagans who loved not the sound of his voice, nor wrestled with him in
prayer before the Lord, nor fed him with rich food, nor gave him much
strong green tea to drink.  But these men were of opaque stuff, and were
not dismayed, and they called him St. Anthony, and with a prophetic and
deadly patience waited.  The time came when the missionary shook his
denouncing finger mostly at Pretty Pierre, who carefully nursed his
silent wrath until the occasion should arrive for a delicate revenge
which hath its hour with every man, if, hating, he knows how to bide the
will of Fate.

The hour came.  A girl had been found dying on the roadside beyond the
Fort by the drunken doctor of the place and Pierre.  Pierre was with her
when she died.

"An' who's to bury her, the poor colleen?" said Shon McGann afterwards.

Pierre musingly replied: "She is a Protestant.  There is but one man."

After many pertinent and vigorous remarks, Shon added, "A Pagan is it, he
calls you, Pierre, you that's had the holy water on y'r forehead, and the
cross on the water, and that knows the book o' the Mass like the cards in
a pack?  Sinner y' are, and so are we all, God save us!  say I; and
weavin' the stripes for our backs He may be, and little I'd think of Him
failin' in that: but Pagan--faith, it's black should be the white of the
eyes of that preachin' sneak, and a rattle of teeth in his throat--divils
go round me!"

The half-breed, still musing, replied: "An eye for an eye, and a tooth
for a tooth--is that it, Shon?"  "Nivir a word truer by song or by book,
and stand by the text, say I.  For Papist I am, and Papist are you; and
the imps from below in y'r fingers whip poker is the game; and outlaws as
they call us both--you for what it doesn't concern me, and I for a wild
night in ould Donegal--but Pagan, wurra! whin shall it be, Pierre?"

"When shall it to be?"

"True for you.  The teeth in his throat and a lump to his eye, and what
more be the will o' God.  Fightin' there'll be, av coorse; but by you
I'll stand, and sorra inch will I give, if they'll do it with sticks or
with guns, and not with the blisterin' tongue that's lied of me and me
frinds--for frind I call you, Pierre, that loved me little in days gone
by.  And proud I am not of you, nor you of me; but we've tasted the
bitter of avil days together, and divils surround me, if I don't go down
with you or come up with you, whichever it be!  For there's dirt, as I
say on their tongues, and over their shoulder they look at you, and not
with an eye full front."

Pierre was cool, even pensive.  His lips parted slightly once or twice,
and showed a row of white, malicious teeth.  For the rest, he looked as
if he were politely interested but not moved by the excitement of the
other.  He slowly rolled a cigarette and replied: "He says it is a
scandal that I live at Fort Anne.  Well, I was here before he came, and I
shall be here after he goes--yes.  A scandal--tsh!  what is that?  You
know the word 'Raca' of the Book?  Well, there shall be more 'Raca; soon
--perhaps.  No, there shall not be fighting as you think, Shon; but--"
here Pierre rose, came over, and spread his fingers lightly on Shon's
breast "but this thing is between this man and me, Shon McGann, and you
shall see a great matter.  Perhaps there will be blood, perhaps not--
perhaps only an end."  And the half-breed looked up at the Irishman from
under his dark brows so covertly and meaningly that Shon saw visions of a
trouble as silent as a plague, as resistless as a great flood.  This
noiseless vengeance was not after his own heart.  He almost shivered as
the delicate fingers drummed on his breast.

"Angels begird me, Pretty Pierre, but it's little I'd like you for enemy
o' mine; for I know that you'd wait for y'r foe with death in y'r hand,
and pity far from y'r heart; and y'd smile as you pulled the black-cap on
y'r head, and laugh as you drew the life out of him, God knows how!
Arrah, give me, sez I, the crack of a stick, the bite of a gun, or the
clip of a sabre's edge, with a shout in y'r mouth the while!"

Though Pierre still listened lazily, there was a wicked fire in his eyes.
His words now came from his teeth with cutting precision.  "I have a
great thought tonight, Shon McGann.  I will tell you when we meet again.
But, my friend, one must not be too rash--no, not too brutal.  Even the
sabre should fall at the right time, and then swift and still.  Noise is
not battle.  Well, 'au revoir!'  To-morrow I shall tell you many things."
He caught Shon's hand quickly, as quickly dropped it, and went out
indolently singing a favourite song,--"Voici le sabre de mon Pere!"

It was dark.  Pretty Pierre stood still, and thought for a while.  At
last he spoke aloud: "Well, I shall do it, now I have him--so!"  And he
opened and shut his hand swiftly and firmly.  He moved on, avoiding the
more habited parts of the place, and by a roundabout came to a house
standing very close to the bank of the river.  He went softly to the door
and listened.  Light shone through the curtain of a window.  He went to
the window and looked beneath the curtain.  Then he came back to the
door, opened it very gently, stepped inside, and closed it behind him.

A man seated at a table, eating, rose; a man on whom greed had set its
mark--greed of the flesh, greed of men's praise, greed of money.  His
frame was thick-set, his body was heavily nourished, his eye was shifty
but intelligent; and a close observer would have seen something elusive,
something furtive and sinister, in his face.  His lips were greasy with
meat as he stood up, and a fear sprang to his face, so that its fat
looked sickly.  But he said hoarsely, and with an attempt at being brave
--"How dare you enter my house with out knocking?  What do you want?"

The half-breed waved a hand protestingly towards him.  "Pardon!" he
said.  "Be seated, and finish your meal.  Do you know me?"

"Yes, I know you."

"Well, as I said, do not stop your meal.  I have come to speak with you
very quietly about a scandal--a scandal, you understand.  This is Sunday
night, a good time to talk of such things."  Pierre seated himself at the
table, opposite the man.

But the man replied: "I have nothing to say to you.  You are--"

The half-breed interrupted: "Yes, I know, a Pagan fattening--" here he
smiled, and looked at his thin hands--"fattening for the shambles of the
damned, as you have said from the pulpit, Reverend Ezra Badgley.  But you
will permit me--a sinner as you say--to speak to you like this while you
sit down and eat.  I regret to disturb you, but you will sit, eh?"

Pierre's tone was smooth and low, almost deferential, and his eyes, wide
open now, and hot with some hidden purpose, were fixed compellingly on
the man.  The missionary sat, and, having recovered slightly, fumbled
with a knife and fork.  A napkin was still beneath his greasy chin.  He
did not take it away.

Pierre then spoke slowly: "Yes, it is a scandal concerning a sinner--and
a Pagan.  .  .  .  Will you permit me to light a cigarette?  Thank you
.  .  .  .  You have said many harsh things about me: well, as you see,
I am amiable.  I lived at Fort Anne before you came.  They call me Pretty
Pierre.  Why is my cheek so?  Because I drink no wine; I eat not much.
Pardon, pork like that on your plate--no! no!  I do not take green tea
as there in your cup; I do not love women, one or many.  Again, pardon,
I say."

The other drew his brows together with an attempt at pious frowning and
indignation; but there was a cold, sneering smile now turned upon him,
and it changed the frown to anxiety, and made his lips twitch, and the
food he had eaten grow heavy within him.

"I come to the scandal slowly.  The woman?  She was a young girl
travelling from the far East, to search for a man who had--spoiled her.
She was found by me and another.  Ah, you start so!  .  .  .  Will you
not listen?  .  .  .  Well, she died to-night."

Here the missionary gasped, and caught with both hands at the table.

"But before she died she gave two things into my hands: a packet of
letters--a man is a fool to write such letters--and a small bottle of
poison--laudanum, old-fashioned but sure.  The letters were from the man
at Fort Anne--the man, you hear!  The other was for her death, if he
would not take her to his arms again.  Women are mad when they love.
And so she came to Fort Anne, but not in time.  The scandal is great,
because the man is holy--sit down!"

The half-breed said the last two words sharply, but not loudly.  They
both sat down slowly again, looking each other in the eyes.  Then Pierre
drew from his pocket a small bottle and a packet of letters, and held
them before him.  "I have this to say: there are citizens of Fort Anne
who stand for justice more than law; who have no love for the ways of
St.  Anthony.  There is a Pagan, too, an outlaw, who knows when it is
time to give blow for blow with the holy man.  Well, we understand each
other, 'hein?'"

The elusive, sinister look in the missionary's face was etched in strong
lines now.  A dogged sullenness hung about his lips.  He noticed that one
hand only of Pretty Pierre was occupied with the relics of the dead girl;
the other was free to act suddenly on a hip pocket.  "What do you want
me to do?" he said, not whiningly, for beneath the selfish flesh and
shallow outworks there were the elements of a warrior--all pulpy now,
but they were there.

"This," was the reply: "for you to make one more outlaw at Fort Anne by
drinking what is in this bottle--sit down, quick, by God!"  He placed the
bottle within reach of the other.  "Then you shall have these letters;
and there is the fire.  After?  Well, you will have a great sleep, the
good people will find you, they will bury you, weeping much, and no one
knows here but me.  Refuse that, and there is the other, the Law--ah,
the poor girl was so very young!--and the wild Justice which is sometimes
quicker than Law.  Well? well?"

The missionary sat as if paralysed, his face all grey, his eyes fixed on
the half-breed.  "Are you man or devil?" he groaned at length.

With a slight, fantastic gesture Pierre replied: "It was said that a
devil entered into me at birth, but that was mere scandal--'peut-etre.'
You shall think as you will."

There was silence.  The sullenness about the missionary's lips became
charged with a contempt more animal than human.  The Reverend Ezra
Badgley knew that the man before him was absolute in his determination,
and that the Pagans of Fort Anne would show him little mercy, while his
flock would leave him to his fate.  He looked at the bottle.  The silence
grew, so that the ticking of the watch in the missionary's pocket could
be heard plainly, having for its background of sound the continuous swish
of the river.  Pretty Pierre's eyes were never taken off the other, whose
gaze, again, was fixed upon the bottle with a terrible fascination.  An
hour, two hours, passed.  The fire burned lower.  It was midnight; and
now the watch no longer ticked; it had fulfilled its day's work.  The
missionary shuddered slightly at this.  He looked up to see the resolute
gloom of the half-breed's eyes, and that sneering smile, fixed upon him
still.  Then he turned once more to the bottle.  .  .  .  His heavy hand
moved slowly towards it.  His stubby fingers perspired and showed sickly
in the light.  .  .  .  They closed about the bottle.  Then suddenly he
raised it, and drained it at a draught.  He sighed once heavily and as if
a great inward pain was over.  Rising he took the letters silently pushed
towards him, and dropped them into the fire.  He went to the window,
raised it, and threw the bottle into the river.  The cork was left:
Pierre pointed to it.  He took it up with a strange smile and thrust it
into the coals.  Then he sat down by the table, leaning his arms upon it,
his eyes staring painfully before him, and the forgotten napkin still
about his neck.  Soon the eyes closed, and, with a moan on his lips, his
head dropped forward on his arms.  .  .  .  Pierre rose, and, looking at
the figure soon to be breathless as the baked meats about it, said:
"'Bien,' he was not all coward.  No."

Then he turned and went out into the night.




ETEXT EDITOR'S BOOKMARKS:

Delicate revenge which hath its hour with every man
Good is often an occasion more than a condition
He does not love Pierre; but he does not pretend to love him
It is not Justice that fills the gaols, but Law
It is not much to kill or to die--that is in the game
Men and women are unwittingly their own executioners
Noise is not battle
She was beginning to understand that evil is not absolute
The Government cherish the Injin much in these days





*** END OF THE PROJECT GUTENBERG EBOOK PIERRE AND HIS PEOPLE, V2, PARKER ***

*********** This file should be named 6175.txt or 6175.zip ***********

This eBook was produced by David Widger

Project Gutenberg eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the US
unless a copyright notice is included.  Thus, we usually do not
keep eBooks in compliance with any particular paper edition.

We are now trying to release all our eBooks one year in advance
of the official release dates, leaving time for better editing.
Please be encouraged to tell us about any error or corrections,
even years after the official publication date.

Please note neither this listing nor its contents are final til
midnight of the last day of the month of any such announcement.
The official release date of all Project Gutenberg eBooks is at
Midnight, Central Time, of the last day of the stated month.  A
preliminary version may often be posted for suggestion, comment
and editing by those who wish to do so.

Most people start at our Web sites at:
http://gutenberg.net or
http://promo.net/pg

These Web sites include award-winning information about Project
Gutenberg, including how to donate, how to help produce our new
eBooks, and how to subscribe to our email newsletter (free!).


Those of you who want to download any eBook before announcement
can get to them as follows, and just download by date.  This is
also a good way to get them instantly upon announcement, as the
indexes our cataloguers produce obviously take a while after an
announcement goes out in the Project Gutenberg Newsletter.

http://www.ibiblio.org/gutenberg/etext03 or
ftp://ftp.ibiblio.org/pub/docs/books/gutenberg/etext03

Or /etext02, 01, 00, 99, 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90

Just search by the first five letters of the filename you want,
as it appears in our Newsletters.


Information about Project Gutenberg (one page)

We produce about two million dollars for each hour we work.  The
time it takes us, a rather conservative estimate, is fifty hours
to get any eBook selected, entered, proofread, edited, copyright
searched and analyzed, the copyright letters written, etc.   Our
projected audience is one hundred million readers.  If the value
per text is nominally estimated at one dollar then we produce $2
million dollars per hour in 2002 as we release over 100 new text
files per month:  1240 more eBooks in 2001 for a total of 4000+
We are already on our way to trying for 2000 more eBooks in 2002
If they reach just 1-2% of the world's population then the total
will reach over half a trillion eBooks given away by year's end.

The Goal of Project Gutenberg is to Give Away 1 Trillion eBooks!
This is ten thousand titles each to one hundred million readers,
which is only about 4% of the present number of computer users.

Here is the briefest record of our progress (* means estimated):

eBooks Year Month

    1  1971 July
   10  1991 January
  100  1994 January
 1000  1997 August
 1500  1998 October
 2000  1999 December
 2500  2000 December
 3000  2001 November
 4000  2001 October/November
 6000  2002 December*
 9000  2003 November*
10000  2004 January*


The Project Gutenberg Literary Archive Foundation has been created
to secure a future for Project Gutenberg into the next millennium.

We need your donations more than ever!

As of February, 2002, contributions are being solicited from people
and organizations in: Alabama, Alaska, Arkansas, Connecticut,
Delaware, District of Columbia, Florida, Georgia, Hawaii, Illinois,
Indiana, Iowa, Kansas, Kentucky, Louisiana, Maine, Massachusetts,
Michigan, Mississippi, Missouri, Montana, Nebraska, Nevada, New
Hampshire, New Jersey, New Mexico, New York, North Carolina, Ohio,
Oklahoma, Oregon, Pennsylvania, Rhode Island, South Carolina, South
Dakota, Tennessee, Texas, Utah, Vermont, Virginia, Washington, West
Virginia, Wisconsin, and Wyoming.

We have filed in all 50 states now, but these are the only ones
that have responded.

As the requirements for other states are met, additions to this list
will be made and fund raising will begin in the additional states.
Please feel free to ask to check the status of your state.

In answer to various questions we have received on this:

We are constantly working on finishing the paperwork to legally
request donations in all 50 states.  If your state is not listed and
you would like to know if we have added it since the list you have,
just ask.

While we cannot solicit donations from people in states where we are
not yet registered, we know of no prohibition against accepting
donations from donors in these states who approach us with an offer to
donate.

International donations are accepted, but we don't know ANYTHING about
how to make them tax-deductible, or even if they CAN be made
deductible, and don't have the staff to handle it even if there are
ways.

Donations by check or money order may be sent to:

Project Gutenberg Literary Archive Foundation
PMB 113
1739 University Ave.
Oxford, MS 38655-4109

Contact us if you want to arrange for a wire transfer or payment
method other than by check or money order.

The Project Gutenberg Literary Archive Foundation has been approved by
the US Internal Revenue Service as a 501(c)(3) organization with EIN
[Employee Identification Number] 64-622154.  Donations are
tax-deductible to the maximum extent permitted by law.  As fund-raising
requirements for other states are met, additions to this list will be
made and fund-raising will begin in the additional states.

We need your donations more than ever!

You can get up to date donation information online at:

http://www.gutenberg.net/donation.html


***

If you can't reach Project Gutenberg,
you can always email directly to:

Michael S. Hart <hart@pobox.com>

Prof. Hart will answer or forward your message.

We would prefer to send you information by email.


**The Legal Small Print**


(Three Pages)

***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN EBOOKS**START***
Why is this "Small Print!" statement here? You know: lawyers.
They tell us you might sue us if there is something wrong with
your copy of this eBook, even if you got it for free from
someone other than us, and even if what's wrong is not our
fault. So, among other things, this "Small Print!" statement
disclaims most of our liability to you. It also tells you how
you may distribute copies of this eBook if you want to.

*BEFORE!* YOU USE OR READ THIS EBOOK
By using or reading any part of this PROJECT GUTENBERG-tm
eBook, you indicate that you understand, agree to and accept
this "Small Print!" statement. If you do not, you can receive
a refund of the money (if any) you paid for this eBook by
sending a request within 30 days of receiving it to the person
you got it from. If you received this eBook on a physical
medium (such as a disk), you must return it with your request.

ABOUT PROJECT GUTENBERG-TM EBOOKS
This PROJECT GUTENBERG-tm eBook, like most PROJECT GUTENBERG-tm eBooks,
is a "public domain" work distributed by Professor Michael S. Hart
through the Project Gutenberg Association (the "Project").
Among other things, this means that no one owns a United States copyright
on or for this work, so the Project (and you!) can copy and
distribute it in the United States without permission and
without paying copyright royalties. Special rules, set forth
below, apply if you wish to copy and distribute this eBook
under the "PROJECT GUTENBERG" trademark.

Please do not use the "PROJECT GUTENBERG" trademark to market
any commercial products without permission.

To create these eBooks, the Project expends considerable
efforts to identify, transcribe and proofread public domain
works. Despite these efforts, the Project's eBooks and any
medium they may be on may contain "Defects". Among other
things, Defects may take the form of incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged
disk or other eBook medium, a computer virus, or computer
codes that damage or cannot be read by your equipment.

LIMITED WARRANTY; DISCLAIMER OF DAMAGES
But for the "Right of Replacement or Refund" described below,
[1] Michael Hart and the Foundation (and any other party you may
receive this eBook from as a PROJECT GUTENBERG-tm eBook) disclaims
all liability to you for damages, costs and expenses, including
legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR
UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT,
INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE
OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE
POSSIBILITY OF SUCH DAMAGES.

If you discover a Defect in this eBook within 90 days of
receiving it, you can receive a refund of the money (if any)
you paid for it by sending an explanatory note within that
time to the person you received it from. If you received it
on a physical medium, you must return it with your note, and
such person may choose to alternatively give you a replacement
copy. If you received it electronically, such person may
choose to alternatively give you a second opportunity to
receive it electronically.

THIS EBOOK IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS
TO THE EBOOK OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A
PARTICULAR PURPOSE.

Some states do not allow disclaimers of implied warranties or
the exclusion or limitation of consequential damages, so the
above disclaimers and exclusions may not apply to you, and you
may have other legal rights.

INDEMNITY
You will indemnify and hold Michael Hart, the Foundation,
and its trustees and agents, and any volunteers associated
with the production and distribution of Project Gutenberg-tm
texts harmless, from all liability, cost and expense, including
legal fees, that arise directly or indirectly from any of the
following that you do or cause:  [1] distribution of this eBook,
[2] alteration, modification, or addition to the eBook,
or [3] any Defect.

DISTRIBUTION UNDER "PROJECT GUTENBERG-tm"
You may distribute copies of this eBook electronically, or by
disk, book or any other medium if you either delete this
"Small Print!" and all other references to Project Gutenberg,
or:

[1]  Only give exact copies of it.  Among other things, this
     requires that you do not remove, alter or modify the
     eBook or this "small print!" statement.  You may however,
     if you wish, distribute this eBook in machine readable
     binary, compressed, mark-up, or proprietary form,
     including any form resulting from conversion by word
     processing or hypertext software, but only so long as
     *EITHER*:

     [*]  The eBook, when displayed, is clearly readable, and
          does *not* contain characters other than those
          intended by the author of the work, although tilde
          (~), asterisk (*) and underline (_) characters may
          be used to convey punctuation intended by the
          author, and additional characters may be used to
          indicate hypertext links; OR

     [*]  The eBook may be readily converted by the reader at
          no expense into plain ASCII, EBCDIC or equivalent
          form by the program that displays the eBook (as is
          the case, for instance, with most word processors);
          OR

     [*]  You provide, or agree to also provide on request at
          no additional cost, fee or expense, a copy of the
          eBook in its original plain ASCII form (or in EBCDIC
          or other equivalent proprietary form).

[2]  Honor the eBook refund and replacement provisions of this
     "Small Print!" statement.

[3]  Pay a trademark license fee to the Foundation of 20% of the
     gross profits you derive calculated using the method you
     already use to calculate your applicable taxes.  If you
     don't derive profits, no royalty is due.  Royalties are
     payable to "Project Gutenberg Literary Archive Foundation"
     the 60 days following each date you prepare (or were
     legally required to prepare) your annual (or equivalent
     periodic) tax return.  Please contact us beforehand to
     let us know your plans and to work out the details.

WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO?
Project Gutenberg is dedicated to increasing the number of
public domain and licensed works that can be freely distributed
in machine readable form.

The Project gratefully accepts contributions of money, time,
public domain materials, or royalty free copyright licenses.
Money should be paid to the:
"Project Gutenberg Literary Archive Foundation."

If you are interested in contributing scanning equipment or
software or other items, please contact Michael Hart at:
hart@pobox.com

[Portions of this eBook's header and trailer may be reprinted only
when distributed free of all fees.  Copyright (C) 2001, 2002 by
Michael S. Hart.  Project Gutenberg is a TradeMark and may not be
used in any sales of Project Gutenberg eBooks or other materials be
they hardware or software or any other related product without
express permission.]

*END THE SMALL PRINT! FOR PUBLIC DOMAIN EBOOKS*Ver.02/11/02*END*